"Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": 1. Allegro - Live at Konzerthaus Berlin / 2018" by Ludwig van Beethoven, Jan Lisiecki, Academy of St. Martin in the Fields, Tomo Keller was released on September 13, 2019. Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": 1. Allegro - Live at Konzerthaus Berlin / 2018 appears to be safe for all ages as it is not explicit. The song is number 13 out of 15 in Beethoven: Complete Piano Concertos (Live at Konzerthaus Berlin / 2018) by Various Artists, Budapest Festival Orchestra, Iván Fischer, Ludwig van Beethoven, Jan Lisiecki, Academy of St. Martin in the Fields, Tomo Keller. Based on our statistics, Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": 1. Allegro - Live at Konzerthaus Berlin / 2018's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": 1. Allegro - Live at Konzerthaus Berlin / 2018 by Ludwig van Beethoven, Jan Lisiecki, Academy of St. Martin in the Fields, Tomo Keller is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
Czech Suite, Op. 39: IV. Romance | Antonín Dvořák, Janacek Philharmonic Orchestra, Theodore Kuchar | F♯ Major | 1 | 2B | 86 BPM | ||
Piano Concerto No. 1 in G Minor, Op. 25, MWV O7: 2. Andante | Felix Mendelssohn, Jan Lisiecki, Orpheus Chamber Orchestra | E Major | 0 | 12B | 88 BPM | ||
Symphony No. 3 in G Minor, Op. 36: I. Adagio - Allegro | Louise Farrenc, North German Radio Symphony, Hannover, Johannes Goritzki | G Minor | 1 | 6A | 97 BPM | ||
Liebeslieder-Walzer, Op.52 - Orchestral Version: No.8 | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | A♭ Major | 1 | 4B | 100 BPM | ||
Album Leaf for Kateřina Kolářová in B Major, JB 1:20 | Bedřich Smetana, Jitka Čechová | B Major | 0 | 1B | 70 BPM | ||
Lyric Pieces, Op. 43: II. Ensom Vandrer (Solitary Traveler) | Edvard Grieg, Nelson Freire | F Major | 2 | 7B | 80 BPM | ||
Sonatina No. 1, Op. 67: II. Largo | Jean Sibelius, Leif Ove Andsnes | F♯ Minor | 0 | 11A | 112 BPM | ||
Haydn: The Seven Last Words of Christ, Hob. XX:1: Sonata II. "Hodie mecum eris in paradiso" | Joseph Haydn, Sir Neville Marriner, Academy of St. Martin in the Fields | G Minor | 3 | 6A | 115 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM |
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