Gabriel Fauré, Seattle Symphony Orchestra, Ludovic Morlot's 'Dolly Suite, Op. 56: I. Berceuse. Allegretto moderato (Arr. H. Rabaud)' came out on June 10, 2014. The duration of Dolly Suite, Op. 56: I. Berceuse. Allegretto moderato (Arr. H. Rabaud) is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Dolly Suite, Op. 56: I. Berceuse. Allegretto moderato (Arr. H. Rabaud)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 18 in Fauré: Masques et bergamasques & Pelléas et Mélisande by Gabriel Fauré, Seattle Symphony Orchestra, Ludovic Morlot. In terms of popularity, Dolly Suite, Op. 56: I. Berceuse. Allegretto moderato (Arr. H. Rabaud) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dolly Suite, Op. 56: I. Berceuse. Allegretto moderato (Arr. H. Rabaud) by Gabriel Fauré, Seattle Symphony Orchestra, Ludovic Morlot is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dido and Aeneas, Z. 626: When I am Laid in Earth (Dido's Lament, Arr. for Cello & Orchestra by Julian Riem) | Henry Purcell, Raphaela Gromes, Lucerne Festival Strings, Daniel Dodds | G Minor | 1 | 6A | 79 BPM | ||
Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM | ||
Liebestraum | Franz Liszt, Arthur Rubinstein | A♭ Major | 2 | 4B | 95 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
Fantasia No. 3 in D Minor, K. 397 | Wolfgang Amadeus Mozart, Hélène Grimaud | D Major | 1 | 10B | 85 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): II. Andante | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | A Minor | 0 | 8A | 137 BPM | ||
Stille Musik: 3. Augenblicke der Serenade | Valentin Silvestrov | C Major | 0 | 8B | 86 BPM | ||
Melody from « Orfeo » | Christoph Willibald Gluck, Roberto Giordano | G Minor | 2 | 6A | 115 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Il Padrino (for Harp): Un poco liberamente | Nino Rota, Naoko Yoshino | F Minor | 0 | 4A | 83 BPM |
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