"Symphony No. 5, Op. 110 "Phoenix": II. Scherzo (Live)" by James Barnes, Masters Brass Nagoya, Tatsuya Suzuki was released on 2016. Symphony No. 5, Op. 110 "Phoenix": II. Scherzo (Live) is about six minutes long, preciously at 5:39, making this song fairly long compared to other songs. The song is number 2 out of 4 in Barnes: Symphony No. 5, Op. 110 "Pheonix" (Live) by James Barnes, Masters Brass Nagoya, Tatsuya Suzuki. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. Based on our statistics, Symphony No. 5, Op. 110 "Phoenix": II. Scherzo (Live)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 5, Op. 110 "Phoenix": II. Scherzo (Live) by James Barnes, Masters Brass Nagoya, Tatsuya Suzuki is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
And the Band Played On | The Regimental Band of the Coldstream Guards, Major Graham O. Jones | E♭ Major | 4 | 5B | 131 BPM | ||
ファンタスマゴリア | フィルハーモニック・ウインズ 大阪 | C Major | 1 | 8B | 59 BPM | ||
Party Piece | Philip Sparke, Bastien Baumet, Géraldine Dutroncy | E♭ Major | 1 | 5B | 125 BPM | ||
Southern Harmony: I. The Midnight Cry | Donald Grantham, North Texas Wind Symphony, Eugene Migliaro Corporon | A♭ Major | 2 | 4B | 66 BPM | ||
An Original Suite: I. March | Gordon Jacob, North Texas Wind Symphony, Eugene Migliaro Corporon | G Minor | 3 | 6A | 120 BPM | ||
The Four Moons: VII. The Cherokee Variation. Yvonne Chouteau | Louis W. Ballard, Louis Wayne Ballard, Fort Smith Symphony, John Jeter | D Minor | 1 | 7A | 170 BPM | ||
Second Suite in F Major, Op. 28 No. 2, H. 106: II. Song Without Words "I'll Love My Love" | Gustav Holst, North Texas Wind Symphony, Eugene Migliaro Corporon | C Minor | 0 | 5A | 63 BPM | ||
Molly on the Shore, BFMS 23 (Version for Wind Ensemble) | Percy Grainger, Royal Norwegian Navy Band, Bjarte Engeset | D♭ Major | 3 | 3B | 110 BPM | ||
An Original Suite: III. Finale | Gordon Jacob, North Texas Wind Symphony, Eugene Migliaro Corporon | C Minor | 4 | 5A | 128 BPM | ||
Lincolnshire Posy: VI. The Lost Lady Found | Percy Grainger, Dallas Wind Symphony, Jerry Junkin | A Minor | 1 | 8A | 94 BPM |
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