Oscar Wilde, Sir John Gielgud/Dame Edith Evans's 'The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff's flat in Half-Moon Street, London W): [Schubert: Moment musical No. 3 in F minor]...Did you hear what I was playing, Lane? (Algernon, Lane)' came out on September 18, 2006. With The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff's flat in Half-Moon Street, London W): [Schubert: Moment musical No. 3 in F minor]...Did you hear what I was playing, Lane? (Algernon, Lane) being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 32 in the song's album "Oscar Wilde: The Importance of Being Earnest". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff's flat in Half-Moon Street, London W): [Schubert: Moment musical No. 3 in F minor]...Did you hear what I was playing, Lane? (Algernon, Lane) is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff's flat in Half-Moon Street, London W): [Schubert: Moment musical No. 3 in F minor]...Did you hear what I was playing, Lane? (Algernon, Lane) by Oscar Wilde, Sir John Gielgud/Dame Edith Evans having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Model Millionaire | Emma Topping, Oscar Wilde | E♭ Major | 3 | 5B | 70 BPM | ||
Kapitel 52 - Familie macht glücklich - Das muss man sich nur IMMER WIEDER sagen | Johann König | D♭ Minor | 3 | 12A | 79 BPM | ||
Kapitel 20 - Möwenfraß - Luka Kroczek, Band 1 | Klara Holm, Philipp Oehme | D♭ Major | 3 | 3B | 112 BPM | ||
Kapitel 7 - Der Schwur des Hippokrates (Der Sherlock Holmes-Adventkalender: Das römische Konklave, Folge 23) | Sherlock Holmes, Der Sherlock Holmes-Adventkalender - Das römische Konklave, Arthur Conan Doyle | B Major | 3 | 1B | 108 BPM | ||
Kapitel 58 - Das Bildnis des Dorian Gray | Oscar Wilde, Jan Josef Liefers | A♭ Minor | 3 | 1A | 88 BPM | ||
Kapitel 59 - Gieriges Sylt - Hannah Lambert ermittelt, Band 6 | Thomas Herzberg, Sebastian Stielke | D Major | 3 | 10B | 115 BPM | ||
Kapitel 16 - Folge 50: Das Gespenst von Canterville | Gruselkabinett, Gudrun Landgrebe, Friedrich Georg Beckhaus, Annina Braunmiller, Boris Tessmann, Max Felder, Oscar Wilde | A♭ Major | 6 | 4B | 82 BPM | ||
Kapitel 15 - Das Triumvirat, Das Triumvirat denkt, Das Triumvirat spinnt | Gisbert Haefs | E Minor | 4 | 9A | 93 BPM | ||
Kapitel 5 - Teil 7 - Die Judasmorde | Das Sherlock Holmes Ostern-Spezial - Die Judasmorde, Sherlock Holmes, Arthur Conan Doyle | F♯ Major | 3 | 2B | 120 BPM | ||
Track 11 - Der Kampf des Phönix - Die Chroniken von Avantia 1 | Adam Blade, Jona Mues | E Major | 2 | 12B | 99 BPM |
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