Thomas Nelson Bibles made "Matthew 19.2 & Matthew 20.1 - Voice Only Audio Bible - New King James Version, NKJV (Narrated by Simon Bubb): New Testament" available on September 24, 2019. The duration of Matthew 19.2 & Matthew 20.1 - Voice Only Audio Bible - New King James Version, NKJV (Narrated by Simon Bubb): New Testament is about 3 minutes long, at 3:06. Based on our data, "Matthew 19.2 & Matthew 20.1 - Voice Only Audio Bible - New King James Version, NKJV (Narrated by Simon Bubb): New Testament" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Voice Only Audio Bible - New King James Version, NKJV (Narrated by Simon Bubb): New Testament [Holy Bible, New King James Version] by Thomas Nelson Bibles. The song's track number on the album is #34 out of 427 tracks. Based on our data, Germany was the country where this track was produced or recorded. Matthew 19.2 & Matthew 20.1 - Voice Only Audio Bible - New King James Version, NKJV (Narrated by Simon Bubb): New Testament is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since Matthew 19.2 & Matthew 20.1 - Voice Only Audio Bible - New King James Version, NKJV (Narrated by Simon Bubb): New Testament by Thomas Nelson Bibles has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Matthew 19.2 & Matthew 20.1 - Voice Only Audio Bible - New King James Version, NKJV (Narrated by Simon Bubb): New Testament being at 82 BPM, the half-time would be 41 BPM with a double-time of 164 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kapitel 17.3 & Kapitel 18.1 - Die Tote am Watt (Mamma Carlotta 1) | Gisa Pauly | D♭ Major | 2 | 3B | 167 BPM | ||
Track 83 - Der Therapeut | Matthias Ernst, Omid-Paul Eftekhari | C Major | 3 | 8B | 167 BPM | ||
Chapter 30 - Mortal Engines - Mortal Engines, Book 1 | Philip Reeve, Barnaby Edwards | G Minor | 2 | 6A | 79 BPM | ||
Chapter 23 - The Murder of Roger Ackroyd | Agatha Christie, Simon Jones | E Minor | 3 | 9A | 145 BPM | ||
Matthew_14 | Christopher Glyn | D Major | 2 | 10B | 86 BPM | ||
Chapter 1 - The Art of Lying - Tea? Coffee? Murder!, Episode 1 | Ellen Barksdale, Jessica Whittaker | A Minor | 1 | 8A | 130 BPM | ||
Chapter 11 - Monster Blood - Classic Goosebumps 3 | R.L. Stine, Kirby Heyborne | B♭ Minor | 1 | 3A | 143 BPM | ||
Chapter 3 - Not The Man I Thought He Was | Phoebe MacLeod, Victoria Fox | D♭ Minor | 2 | 12A | 168 BPM | ||
Kapitel 72 - Die Bibliothek im Nebel | Kai Meyer, Luise Helm, Johann Von Bülow, Fabian Busch | F♯ Minor | 3 | 11A | 116 BPM | ||
Chapter 32 - Mortal Engines - Mortal Engines, Book 1 | Philip Reeve, Barnaby Edwards | C Major | 3 | 8B | 172 BPM |
Section: 0.5575761795043945
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