City Of Birmingham Symphony Orchestra, Sir Mark Elder's 'Hamlet Op. 32 - 1932 Production - Act IV - i. The King is brought on; ii. Claudi' came out on June 28, 2005. With Hamlet Op. 32 - 1932 Production - Act IV - i. The King is brought on; ii. Claudi being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 44 in the song's album "Shostakovich: Hamlet & King Lear". In this album, this song's track order is #20. Hamlet Op. 32 - 1932 Production - Act IV - i. The King is brought on; ii. Claudi is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Hamlet Op. 32 - 1932 Production - Act IV - i. The King is brought on; ii. Claudi by City Of Birmingham Symphony Orchestra, Sir Mark Elder having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Poulenc: Concerto for Two Pianos in D Minor, FP 61: II. Larghetto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | B♭ Major | 0 | 6B | 84 BPM | ||
Britten: A Suite on English Folk Tunes, Op. 90 "A Time There Was": V. Lord Melbourne | Benjamin Britten, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | E♭ Major | 2 | 5B | 97 BPM | ||
Sibelius : Symphony No.5 in E flat major Op.82 : I Molto moderato - Allegro moderato | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | E♭ Major | 1 | 5B | 83 BPM | ||
Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XVII. Allegretto | Sergei Rachmaninoff, Cecile Ousset, City Of Birmingham Symphony Orchestra, Sir Simon Rattle | C Major | 2 | 8B | 106 BPM | ||
Piano Quintet In A Major, Op. 114, D 667 - "The Trout": 4. Thema - Andantino - Variazioni I-V - Allegretto | Franz Schubert, Anne-Sophie Mutter, Daniil Trifonov, Hwayoon Lee, Maximilian Hornung, Roman Patkoló | D Major | 1 | 10B | 84 BPM | ||
Requiem, Op. 63: IVf. Rex tremendae maiestatis – | Charles Villiers Stanford, James Way, Ross Ramgobin, Carolyn Sampson, Marta Fontanals-Simmons, University of Birmingham Voices, City Of Birmingham Symphony Orchestra, Martyn Brabbins | E Minor | 2 | 9A | 88 BPM | ||
8 Slavonic Dances, Op. 72, B. 147: No. 2 in E Minor (Allegretto grazioso) | Antonín Dvořák, Budapest Festival Orchestra, Iván Fischer | B♭ Major | 1 | 6B | 60 BPM | ||
Britten: A Suite on English Folk Tunes, Op. 90 "A Time There Was": II. The Bitter Withy | Benjamin Britten, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | C Major | 1 | 8B | 60 BPM | ||
Suite in A Major 'American Suite', Op. 98b, B. 190: Suite in A Major 'American Suite', Op. 98b, B. 190: I. Andante con moto | Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan | A Major | 0 | 11B | 157 BPM | ||
Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XXIV. A tempo un poco meno mosso | Sergei Rachmaninoff, Cecile Ousset, City Of Birmingham Symphony Orchestra, Sir Simon Rattle | C Major | 2 | 8B | 106 BPM |
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