"Les Contes d'Hoffmann: Les Oiseaux dans la charmille" by Compagnia d'Opera Italiana Orchestra, Antonello Gotta, Sachika Ito was released on April 18, 2017. Les Contes d'Hoffmann: Les Oiseaux dans la charmille is about six minutes long, preciously at 6:20, making this song fairly long compared to other songs. There are a total of 55 in the song's album "Ultimate Opera Collection: Greatest Arias of All Time, Vol. 2". In this album, this song's track order is #34. The popularity of Les Contes d'Hoffmann: Les Oiseaux dans la charmille is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Les Contes d'Hoffmann: Les Oiseaux dans la charmille by Compagnia d'Opera Italiana Orchestra, Antonello Gotta, Sachika Ito having a BPM of 178 with a half-time of 89 BPM and a double-time of 356 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturnes, Op. 9: No. 2 in E-Flat Minor, Andante | Giovanni Umberto Battel | E♭ Major | 0 | 5B | 71 BPM | ||
Parla più piano | Nino Rota, Jonas Kaufmann, Asher Fisch, Palermo Teatro Massimo Orchestra | C Minor | 1 | 5A | 87 BPM | ||
In Bicicletta | Luis Bacalov | A Major | 2 | 11B | 106 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | ||
Maskerade-Suite: I. Waltz | Aram Khachaturian, Moscow Symphony Orchestra, Veronika Dudarova | C Major | 3 | 8B | 98 BPM | ||
Double per chitarra | Franco Piersanti, Czech National Symphony Orchestra | B Minor | 1 | 10A | 89 BPM | ||
Nocturne Derivazione | Franco Piersanti, Czech National Symphony Orchestra | C Minor | 0 | 5A | 136 BPM | ||
Suite bergamasque: III. Clair de lune (arr. A. Reed): Clair de lune | Claude Debussy, Alfred Reed, Slovak Radio Symphony Orchestra, Keith Clark | D♭ Major | 1 | 3B | 81 BPM | ||
Notturno Op. 70 No. 1 | Giuseppe Martucci, Czecho-Slovak State Philharmonic Orchestra of Kosice, Johannes Wildner | F♯ Major | 1 | 2B | 80 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: II. Tempo di valse | Antonín Dvořák, Alexander Rudin, Musica Viva | C Major | 0 | 8B | 149 BPM |
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