Nicholas Brodszky, Mario Lanza, Elizabeth Doubleday, Constantine Callinicos's 'Summertime in Heidelberg (From "The Student Prince") - 1989 Remastered' came out on August 29, 1989. The duration of Summertime in Heidelberg (From "The Student Prince") - 1989 Remastered is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Summertime in Heidelberg (From "The Student Prince") - 1989 Remastered's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Sigmund Romberg, Mario Lanza's "Mario Lanza Sings Songs From The Student Prince and The Desert Song" album is number 5 out of 22. Summertime in Heidelberg (From "The Student Prince") - 1989 Remastered is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Summertime in Heidelberg (From "The Student Prince") - 1989 Remastered by Nicholas Brodszky, Mario Lanza, Elizabeth Doubleday, Constantine Callinicos to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Parla Più Piano | Paul Potts | C Minor | 2 | 5A | 76 BPM | ||
Viktoria und ihr Husar: Reich' mir zum Abschied noch einmal die Hände | Paul Abraham, Sandor Konya, Herta Talmar, Grosses Operetten Orchester, Franz Marszalek | B♭ Major | 3 | 6B | 110 BPM | ||
Gern hab´ ich die Fraun´ geküsst | Rudolf Schock | E♭ Major | 3 | 5B | 101 BPM | ||
Bellini: La sonnambula, Act 2: "Ah! non credea mirarti" (Amina, Elvino) | Vincenzo Bellini, Maria Callas, Nicola Monti, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 1 | 6B | 91 BPM | ||
Casta Diva | OperaBabes | D Minor | 3 | 7A | 67 BPM | ||
Amarilli (Recorded 1939) | Francesca Caccini, Beniamino Gigli | E Minor | 0 | 9A | 77 BPM | ||
Manon (1997 Digital Remaster): Je ne suis que faiblesse....Adieu, notre petite table | Maria Callas, Georges Prêtre, Orchestre De La Société Des Concerts Du Conservatoire | G Minor | 1 | 6A | 85 BPM | ||
Will There Really Be a Morning? | Ricky Ian Gordon, Nadine Sierra, Royal Philharmonic Orchestra, Robert Spano | B♭ Major | 2 | 6B | 166 BPM | ||
Le nozze di Figaro, K. 492, Act I: Se vuol ballare | Wolfgang Amadeus Mozart, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | F Major | 1 | 7B | 87 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | F♯ Minor | 1 | 11A | 79 BPM |
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