"The Vanishing Bridegroom, Act III: No Fire Shall Burn Me" by Judith Weir, Anna Stephany, Jonathan Lemalu, BBC Symphony Orchestra, Martyn Brabbins had its release date on September 2, 2014. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Wier: The Vanishing Bridegroom by Judith Weir, Various Artists, Martyn Brabbins, BBC Symphony Orchestra. The song's track number on the album is #9 out of 46 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. The Vanishing Bridegroom, Act III: No Fire Shall Burn Me is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since The Vanishing Bridegroom, Act III: No Fire Shall Burn Me by Judith Weir, Anna Stephany, Jonathan Lemalu, BBC Symphony Orchestra, Martyn Brabbins has a tempo of 59 beats per a minute, the tempo markings of this song would be Lento (slowly). With The Vanishing Bridegroom, Act III: No Fire Shall Burn Me being at 59 BPM, the half-time would be 30 BPM with a double-time of 118 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The lily and the rose (version for mixed chorus and piano) | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 1 | 8A | 77 BPM | ||
3 Psalms, Op. 78: No. 3, "Mein Gott, warum hast du mich verlassen?" | Felix Mendelssohn, RIAS Kammerchor, Marcus Creed | A♭ Major | 2 | 4B | 83 BPM | ||
Canticles & Prayers, Having Beheld a Strange Nativity: No. 11, Glory (Quiet) | Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava | A♭ Minor | 0 | 1A | 84 BPM | ||
Call To Remembrance | The Choir Of Waltham Abbey, Stuart Nicholson | F♯ Minor | 0 | 11A | 0 BPM | ||
The Bagpiper's String Trio: I. Salute | Judith Weir, Domus | F Major | 1 | 7B | 88 BPM | ||
Peace I Leave With You | Amy Beach, The Choir of Magdalen College, Oxford, Mark Williams | E♭ Major | 1 | 5B | 79 BPM | ||
Mass for Double Choir: Kyrie | Frank Martin, Mikaeli Chamber Choir, Anders Eby | A Minor | 0 | 8A | 81 BPM | ||
Morike-Chorliederbuch, Op. 19: Der Feuerreiter | Hugo Distler, Berlin Vocal Ensemble, Bernd Stegmann | D Major | 0 | 10B | 81 BPM | ||
Arise! Arise! You Slumbering Sleepers | Judith Weir, The Schubert Ensemble | B Minor | 1 | 10A | 139 BPM | ||
The Passing of the Year: No. 7. Ring out, wild bells | Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris | C Major | 1 | 8B | 89 BPM |