"Piano Concerto No. 2 in F Minor, Op. 21: 3. Allegro vivace" by Frédéric Chopin, Nelson Freire, Gürzenich Orchester Köln, Lionel Bringuier was released on January 1, 2015. Since Piano Concerto No. 2 in F Minor, Op. 21: 3. Allegro vivace is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 10 out of 10 in Chopin: Piano Concerto No.2; Ballade No.4; Berceuse; Polonaise Héroïque by Frédéric Chopin, Nelson Freire, Gürzenich Orchester Köln, Lionel Bringuier. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Piano Concerto No. 2 in F Minor, Op. 21: 3. Allegro vivace is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Concerto No. 2 in F Minor, Op. 21: 3. Allegro vivace by Frédéric Chopin, Nelson Freire, Gürzenich Orchester Köln, Lionel Bringuier is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces Book I, Op. 12: No. 1 Arietta | Edvard Grieg, Emil Gilels | E♭ Major | 0 | 5B | 130 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 68 BPM | ||
Eroica Dance (Arr. for Piano from Symphony No. 3 in E-Flat Major, Op. 55 by Martin Stadtfeld ) | Ludwig van Beethoven, Martin Stadtfeld | E♭ Major | 2 | 5B | 143 BPM | ||
Requiem, Op. 48:IV. Pie Jesu (Arr. for Piano) | Gabriel Fauré, Emile Naoumoff | G Major | 1 | 9B | 99 BPM | ||
Chopin: Ballade No. 1 in G Minor, Op. 23 | Frédéric Chopin, Alexandre Tharaud | G Minor | 2 | 6A | 69 BPM | ||
Piano Concerto in A minor, Op. 16: II. Adagio - Live | Edvard Grieg, Alice Sara Ott, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | D Major | 2 | 10B | 121 BPM | ||
Sarabande Variations (from Suite in D Minor, HWV 437): Variation VIII | George Frideric Handel, Martin Stadtfeld | D♭ Major | 0 | 3B | 74 BPM | ||
Pavane pour une infante défunte, M. 19 (Version for Orchestra) | Maurice Ravel, Orchestre Philharmonique Du Luxembourg, Gustavo Gimeno | G Major | 0 | 9B | 91 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM |
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