Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: III. Sarabande - Johann Sebastian Bach, Emmanuel Pahud, Berliner Barock Solisten, Rainer Kussmaul Information

Acousticness: 96%
Danceability: 14%
Energy: 8%
Instrumentalness: 11%
Liveness: 8%
Loudness: 66%
Speechiness: 4%
Valence: 13%
Popularity: 10%
Loudness: -20.166 dB

Summary

"Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: III. Sarabande" by Johann Sebastian Bach, Emmanuel Pahud, Berliner Barock Solisten, Rainer Kussmaul was released on January 15, 2001. The duration of Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: III. Sarabande is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: III. Sarabande's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 18 in Bach: Brandenburg Concerto No. 5 - Orchestral Suite No. 2 - Trio Sonata - Partita. by Johann Sebastian Bach, Emmanuel Pahud, Berliner Barock Solisten. Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: III. Sarabande is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: III. Sarabande BPM

The tempo marking of Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: III. Sarabande by Johann Sebastian Bach, Emmanuel Pahud, Berliner Barock Solisten, Rainer Kussmaul is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.

Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: III. Sarabande Key

This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Album Leaf for Kateřina Kolářová in B Major, JB 1:20	Bedřich Smetana, Jitka Čechová	B Major	0	1B	70 BPM
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten)	Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields	F Major	1	7B	124 BPM
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847	Daniel Barenboim	C Minor	1	5A	68 BPM
Symphony No. 3 in C Major, Op. 2, "The Chaplet": II. Vivace	William Boyce, Aradia Ensemble, Kevin Mallon	A♭ Minor	0	1A	121 BPM
Nocturne No.19 In E Minor, Op.72 No.1	Frédéric Chopin, Maurizio Pollini	B Major	0	1B	139 BPM
Lo frate 'nnamorato: II. Andante	Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato	E Minor	5	9A	165 BPM
Sinfonia in D Major, BWV 1045: I. Allegro	Johann Sebastian Bach, Robert Hill, Cologne Chamber Orchestra, Helmut Müller-Brühl	D Major	3	10B	98 BPM
Kleine Präludien: No.3 in D Minor, BWV 926	Inge Rosar	D Minor	1	7A	83 BPM
Bach, JS: Concerto for Three Pianos in C Major, BWV 1064: III. Allegro assai	Johann Sebastian Bach, Jean-Pierre Wallez, Gabriel Tacchino, Jean-Philippe Collard, Michel Béroff, Orchestre de chambre de Paris	C Major	2	8B	83 BPM
Johannes-Passion, BWV 245.1: 32. Aria: Mein teurer Heiland	Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin, Tobias Berndt	D Major	2	10B	172 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.636690616607666

End: 0.6400752067565918