Midori Oka's '何度も何度も~母への想い~' came out on October 7, 2020. With this song being about 5 minutes long, at 4:53, "何度も何度も~母への想い~" by Midori Oka is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 丘みどり 15周年ベストアルバム, so we believe that "何度も何度も~母への想い~" is a single. In terms of popularity, 何度も何度も~母への想い~ is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 何度も何度も~母への想い~ by Midori Oka is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
泣いたら負け - シングル・ヴァージョン | Takajin Yashiki | G Minor | 9 | 6A | 110 BPM | ||
サイレンスの終わりに | Jyunretsu | E Major | 6 | 12B | 77 BPM | ||
素顔の朝 | Saori Minami | F Minor | 7 | 4A | 150 BPM | ||
涙の真珠 | 朝比奈あきこ | D Minor | 3 | 7A | 80 BPM | ||
夏の終わりが来る前に | 北山たけし | A Minor | 7 | 8A | 123 BPM | ||
みちのく忘れ雪 | 山本譲二 | E♭ Minor | 7 | 2A | 117 BPM | ||
かもめ | 西郷輝彦 | B♭ Minor | 6 | 3A | 77 BPM | ||
紅ほおずき | Midori Oka | E Minor | 2 | 9A | 102 BPM | ||
氷雨 | Shinichiro Hakozaki | E Minor | 5 | 9A | 83 BPM | ||
十九の港 | Miyuki Nagai | A Minor | 5 | 8A | 90 BPM |
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