"Swan Lake, Op. 20, TH 12, Act IV: No. 25, Entr'acte. Moderato" by Pyotr Ilyich Tchaikovsky, Minnesota Orchestra, Antal Doráti was released on 1954. With Swan Lake, Op. 20, TH 12, Act IV: No. 25, Entr'acte. Moderato being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 51 in the song's album "Tchaikovsky: Swan Lake (The Mercury Masters: The Mono Recordings)". In this album, this song's track order is #47. Furthermore, we believe that the track originated from Netherlands. Swan Lake, Op. 20, TH 12, Act IV: No. 25, Entr'acte. Moderato is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Swan Lake, Op. 20, TH 12, Act IV: No. 25, Entr'acte. Moderato by Pyotr Ilyich Tchaikovsky, Minnesota Orchestra, Antal Doráti having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Piano Sonata No.14 in C-Sharp Minor, Op. 27 No. 2 - "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Daniel Barenboim | D♭ Minor | 0 | 12A | 139 BPM | ||
Violin Sonata No. 3 in D Minor, Op. 27 "Ballade" | Eugène Ysaÿe, Maxim Vengerov | G Minor | 1 | 6A | 141 BPM | ||
Rhapsodie Orientale, Op. 29: 1. Andante | Alexander Glazunov, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 0 | 3B | 89 BPM | ||
Symphony No. 40 in G Minor, K. 550: I. Allegro molto | Wolfgang Amadeus Mozart, Capella Istropolitana, Barry Wordsworth | G Minor | 2 | 6A | 109 BPM | ||
Violin Concerto in E Minor, Op. 64, MWV O14: I. Allegro molto appassionato | Felix Mendelssohn, Hilary Hahn, Hugh Wolff, Oslo-Filharmonien | A Minor | 2 | 8A | 63 BPM | ||
Boccherini: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto - Trio (Arr. Woodhouse for String Orchestra) | Luigi Boccherini, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 0 | 11B | 85 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act 1: Pas de deux | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | D Major | 1 | 10B | 81 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.8 in G Minor (Presto) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | G Major | 2 | 9B | 129 BPM | ||
Liebestraum (Love Dream) | Franz Liszt, Michael Krücker | A♭ Major | 1 | 4B | 70 BPM |
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