"Vesperae Beatae Virginis: Benedicamus Domino" by Pietro Paolo Bencini, A Sei Voci, Bernard Fabre-Garrus was released on 1994. With Vesperae Beatae Virginis: Benedicamus Domino being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 20 out of 20 in Bencini: Vesperae Beatae Virginis In Sancto Petro Romae by Pietro Paolo Bencini, A Sei Voci, Bernard Fabre-Garrus. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Vesperae Beatae Virginis: Benedicamus Domino is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Vesperae Beatae Virginis: Benedicamus Domino by Pietro Paolo Bencini, A Sei Voci, Bernard Fabre-Garrus is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Leuven Chansonnier: No. 19, Cent mil escuz quant je vouldroye | Firminus Caron, Antoine Busnois, Anonymous, Sollazzo Ensemble, Anna Danilevskaia | B Major | 1 | 1B | 116 BPM | ||
Lamentations II for Maundy Thursday "In Coena Domini": Lectio II: No. 8, Jerusalem, Jerusalem | Giovanni Pierluigi da Palestrina, Cinquecento | E♭ Major | 0 | 5B | 85 BPM | ||
Missa Salve Diva Parens: I. Kyrie I | Jakob Obrecht, The Sound and the Fury | E Minor | 3 | 9A | 75 BPM | ||
Magnificat: VIII. Suscepit Israel | Rinaldo Alessandrini, Concerto Italiano, Pietro Paolo Bencini | F Minor | 2 | 4A | 74 BPM | ||
Prima d’esservi infedele, H. 578: Aria. Prima d’esservi infedele | Alessandro Scarlatti, Valeria La Grotta, Quartetto Vanvitelli | C Major | 2 | 8B | 82 BPM | ||
Vesperae Beatae Virginis: Laetatus sum (Psaume 121) | Pietro Paolo Bencini, A Sei Voci, Bernard Fabre-Garrus | E♭ Major | 0 | 5B | 81 BPM | ||
Te Deum "de Lyon": XI. Te ergo quæsumus famulis tuis subveni | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Major | 4 | 6B | 106 BPM | ||
La liberazione di Ruggiero dall'isola d'Alcina, Prologue: Tra gli ardori | Francesca Caccini, Francesca Lombardi Mazzulli, Elena Biscuola, Gabriella Martellacci, Mauro Borgioni, Yiannis Vassilakis, Allabastrina, La Pifarescha, Elena Sartori | F Major | 2 | 7B | 68 BPM | ||
Cantate Domino a 6, C. 6 | Giovanni Gabrieli, Gesualdo Consort Amsterdam, Wim Becu | B Major | 1 | 1B | 65 BPM | ||
Te Deum, H. 146: IV. Te per orbem terrarum | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Clément Debieuvre, François Joron, Jean-Christophe Lanièce | B♭ Major | 4 | 6B | 106 BPM |
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