Richard Rodney Bennett, Orchestra of the Royal Opera House, Covent Garden, Charles Taylor, Marcus Dods's 'Rodney Bennett: Music for the Sydney Lumet's 1974 Movies "Murder on the Orient Express": No. 7, Entr'acte' came out on November 25, 2005. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 24 in the song's album "Sir Richard Rodney Bennett: Murder on the Orient Express . Lady Caroline Lamb [original soundtrack recordings]". In this album, this song's track order is #19. In terms of popularity, Rodney Bennett: Music for the Sydney Lumet's 1974 Movies "Murder on the Orient Express": No. 7, Entr'acte is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rodney Bennett: Music for the Sydney Lumet's 1974 Movies "Murder on the Orient Express": No. 7, Entr'acte by Richard Rodney Bennett, Orchestra of the Royal Opera House, Covent Garden, Charles Taylor, Marcus Dods having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Foyle's War - Main Title | Jim Parker | D Minor | 2 | 7A | 75 BPM | ||
Beethoven: Epilogue ( Beethoven Piano Concerto no 5 "Emperor" -II ) | Ludwig van Beethoven, Terry Davies, Members Of The London Symphony Orchestra | B Major | 0 | 1B | 81 BPM | ||
Kanon und Gigue in D Major, T. 337: I. Kanon | Johann Pachelbel, Leonard Slatkin, St. Louis Symphony | B Minor | 1 | 10A | 134 BPM | ||
Rebel Without a Cause: Love Theme | Leonard Rosenman | G Major | 1 | 9B | 75 BPM | ||
Henry V - Suite (arr. Mathieson) (1994 Digital Remaster): 2. Passacaglia: The Death of Falstaff | William Walton, Philharmonia Orchestra | E Minor | 0 | 9A | 86 BPM | ||
Griet's Theme - From "Girl with a Pearl Earing" | Alexandre Desplat, The Royal Philharmonic Concert Orchestra/Paul Bateman, Paul Bateman | C Minor | 2 | 5A | 88 BPM | ||
Flying | Caleb J. Both | F Major | 2 | 7B | 105 BPM | ||
Ingenuity | Byron McKay | G Major | 1 | 9B | 142 BPM | ||
All Creatures Great and Small | Johnny Pearson | D Major | 4 | 10B | 112 BPM | ||
Enigma Variations, Op. 36: Nimrod (Arr. Farrington) | Edward Elgar, Coronation Orchestra, Antonio Pappano | E♭ Major | 1 | 5B | 86 BPM |
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