"Nonnenchor und das Lied der Laura (Nun's Chorus & Laura's Song) (from "Casanova")" by Elisabeth Schwarzkopf, Otto Ackermann, Orchestra Philharmonia was released on June 14, 2011. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 21 in Elisabeth Schwarzkopf sings Operetta by Elisabeth Schwarzkopf, Orchestra Philharmonia, Otto Ackermann. In terms of popularity, Nonnenchor und das Lied der Laura (Nun's Chorus & Laura's Song) (from "Casanova") is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Nonnenchor und das Lied der Laura (Nun's Chorus & Laura's Song) (from "Casanova") by Elisabeth Schwarzkopf, Otto Ackermann, Orchestra Philharmonia is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I Puritani / Act 2: Qui la voce sua soave - Live At Metropolitan Opera House, New York / 2011 | Vincenzo Bellini, Anna Netrebko, Metropolitan Opera Orchestra, Patrick Summers | E♭ Major | 0 | 5B | 79 BPM | ||
Puccini: Turandot, Act 3: "L'amore?...Tanto amore, segreto e inconfessato" (Turandot, Liù, Ping, Calaf, Crowd) | Giacomo Puccini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Eugenio Fernandi, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | F♯ Major | 2 | 2B | 78 BPM | ||
La Traviata / Act 2: "Di Madride noi siam mattadori" | Giuseppe Verdi, Stefania Malagu, Walter Gullino, Giovanni Foiani, Alfredo Giacomotti, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | G Major | 4 | 9B | 138 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: Introduction | Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, James Levine | G Minor | 1 | 6A | 107 BPM | ||
The Queen of Spades (Pique Dame), Op. 68, the Queen of Spades, Op. 68, Act II: Ya vas liubliu [I Love You] | Pyotr Ilyich Tchaikovsky, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | E♭ Major | 1 | 5B | 103 BPM | ||
Rigoletto / Act 3: "Bella figlia dell'amore" | Giuseppe Verdi, Renato Bruson, Edita Gruberova, Neil Shicoff, Brigitte Fassbaender, Orchestra dell'Accademia Nazionale di Santa Cecilia, Giuseppe Sinopoli | D♭ Major | 2 | 3B | 119 BPM | ||
I Puritani | Dame Joan Sutherland, Orchestra of the Royal Opera House & Covent Garden, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | ||
Grieg: 12 Songs, Op. 33: No. 2, Letzter Frühling | Edvard Grieg, Elisabeth Schwarzkopf, Geoffrey Parsons | E Major | 0 | 12B | 106 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1: "Batti, batti o bel Masetto" (Zerlina) | Wolfgang Amadeus Mozart, Elisabeth Schwarzkopf, Sir John Pritchard, Philharmonia Orchestra | C Major | 1 | 8B | 126 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1 Scene 20: "Ecco il birbo che t'ha offesa" (Don Giovanni, Leporello, Don Ottavio, Donna Elvira, Donna Anna, Zerlina, Masetto) | Wolfgang Amadeus Mozart, Carlo Maria Giulini, Philharmonia Orchestra | F Major | 2 | 7B | 89 BPM |
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