"Pavane" by Michael Kieran Harvey, Melbourne Symphony Orchestra, Nigel Westlake was released on January 9, 2015. The duration of Pavane is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Pavane's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Paper Planes (Original Motion Picture Soundtrack)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Australia. Pavane is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pavane by Michael Kieran Harvey, Melbourne Symphony Orchestra, Nigel Westlake having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kreisleriana, Op. 16: No. 1, Ausserst bewegt | Robert Schumann, Laurent Cabasso | B♭ Major | 1 | 6B | 82 BPM | ||
Après un Rêve Op.7, No.1 | Gabriel Fauré, Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa | F Minor | 1 | 4A | 96 BPM | ||
Prelude and Fugue for solo piano (2018) | Brendan Collins, Michael Kieran Harvey | F Major | 0 | 7B | 75 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
Impromptu for Viola & Piano, Op. 33 | Dmitri Shostakovich, Matthew Lipman, Henry Kramer | A Minor | 0 | 8A | 98 BPM | ||
Vingt Regards sur l'Enfant-Jésus: V. Regard du Fils sur le Fils | Olivier Messiaen, Michael Kieran Harvey | F♯ Minor | 4 | 11A | 79 BPM | ||
16 Waltzes, Op. 39 - For Piano Duet: 15. In A Major | Johannes Brahms, Aloys Kontarsky, Alfons Kontarsky | A Major | 0 | 11B | 87 BPM | ||
Reverence | Emily Sheppard, Michael Kieran Harvey, Danny Healy, Aurora Henrich, Claire Anne Taylor | F♯ Minor | 2 | 11A | 144 BPM | ||
Saint-Saëns: Le carnaval des animaux, R 125: XIII. Le cygne (Arr. for Cello and Harp) | Camille Saint-Saëns, Jacqueline du Pré, Osian Ellis | G Major | 0 | 9B | 60 BPM | ||
Lawyers Are Lovely Misunderstood People and We Should All Be Much Kinder to Them for Piano | Michael Kieran Harvey | A Major | 3 | 11B | 79 BPM |
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