Erik Satie, Orchestre Symphonique et Lyrique de Nancy, Jerome Kaltenbach's 'Mercure, Scene 2: Danse des Grâces' came out on June 14, 1999. With Mercure, Scene 2: Danse des Grâces being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 41 in the song's album "Satie: Parade, Gymnopédies, Mercure & Relâche". In this album, this song's track order is #12. Mercure, Scene 2: Danse des Grâces is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Mercure, Scene 2: Danse des Grâces by Erik Satie, Orchestre Symphonique et Lyrique de Nancy, Jerome Kaltenbach having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Three Visions: II. Summerland | William Grant Still, Natalie Hinderas | G Major | 0 | 9B | 68 BPM | ||
Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
Orphée Suite - 6. Orphee's Return | Philip Glass | F Major | 1 | 7B | 127 BPM | ||
Gymnopedie No. 3 | Takashi Yoshimatsu, Erik Satie, Pascal Rogé | A Minor | 0 | 8A | 74 BPM | ||
Schumann, Clara: 3 Romances, Op. 11: No. 1 in E-Flat Minor | Clara Schumann, Sophie Pacini | E♭ Minor | 0 | 2A | 60 BPM | ||
Deux Arabesques: No. 1 in E major | Peter Schmalfuss | F♯ Minor | 0 | 11A | 74 BPM | ||
Lullaby, Op. 57 No. 2 (Arr. for Cello & Piano) | Cyril Scott, Richard Jenkinson, Benjamin Frith | D Major | 0 | 10B | 91 BPM | ||
Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | E Minor | 1 | 9A | 102 BPM | ||
Lyric Pieces, Book 1, Op. 12: I. Arietta | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 72 BPM |
Section: 0.6101446151733398
End: 0.6157369613647461