Shinji Tanimura's 'サライ' had a release date set for March 2, 2005. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in バサラ, so we believe that "サライ" is a single. サライ is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of サライ by Shinji Tanimura is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
好きになった人 - ニュー・バージョン | Harumi Miyako | F♯ Minor | 7 | 11A | 112 BPM | ||
酒と泪と男と女 | Fuyumi Sakamoto | D♭ Major | 4 | 3B | 128 BPM | ||
陽はまた昇る | Shinji Tanimura | E Minor | 3 | 9A | 81 BPM | ||
チャンピオン | Alice | B Minor | 8 | 10A | 159 BPM | ||
帰らざる日々 | Alice | A Minor | 2 | 8A | 98 BPM | ||
真夜中のギター | 高田みづえ | C Major | 2 | 8B | 112 BPM | ||
惚れた女が死んだ夜は | Akira Kobayashi | B Minor | 3 | 10A | 74 BPM | ||
ひとり上手 | 中島みゆき | F♯ Minor | 4 | 11A | 92 BPM | ||
踊り子 | Kozo Murashita | F Minor | 4 | 4A | 120 BPM | ||
薔薇のように咲いて 桜のように散って | Seiko Matsuda | E♭ Major | 4 | 5B | 75 BPM |