"Stabat Mater: 2. Cujus animam gementem - Remastered" by Andrea Bocelli, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung was released on December 10, 2021. Stabat Mater: 2. Cujus animam gementem - Remastered is about six minutes long, preciously at 5:32, making this song fairly long compared to other songs. The song is number 10 out of 13 in A Traditional Christmas by Andrea Bocelli. Stabat Mater: 2. Cujus animam gementem - Remastered is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Stabat Mater: 2. Cujus animam gementem - Remastered by Andrea Bocelli, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vitae Lux | The Tabernacle Choir at Temple Square, Orchestra at Temple Square, Sissel | F Major | 1 | 7B | 62 BPM | ||
Messiah, HWV 56 / Pt. 3: "I Know That My Redeemer Liveth" | George Frideric Handel, Elly Ameling, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 78 BPM | ||
Handel: Messiah, HWV 56, Pt. 1: No. 11, Chorus, "For unto us a Child is born" | George Frideric Handel, Choir of King's College, Cambridge, Stephen Cleobury | F♯ Major | 2 | 2B | 103 BPM | ||
Ave Maria | Vienna Boys' Choir | B♭ Major | 0 | 6B | 118 BPM | ||
How Beautiful Are The Feet - Live | George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra | G Minor | 0 | 6A | 87 BPM | ||
These Are Special Times | Jonathan Antoine and Royal Philharmonic Orchestra | A♭ Major | 4 | 4B | 63 BPM | ||
Adeste Fidelis | John Francis Wade, Amici forever, Nick Ingman | G Major | 4 | 9B | 94 BPM | ||
Oratorio de Noel, Op. 12: Tollite hostias (Chorus) | Camille Saint-Saëns, Britt Marie Aruhn, Anne Sofie von Otter, Ingmari Landin, Erland Hagegård, Ulf Lundmark, Mikaeli Chamber Choir, Karin Langebo, Bengt Forsberg, Royal Opera Theater Orchestra, Anders Eby | A♭ Major | 1 | 4B | 132 BPM | ||
Cantique de nöel (O Holy Night) - Voice | Plácido Domingo, Luciano Pavarotti | E♭ Major | 3 | 5B | 166 BPM | ||
Amazing Grace (arr. J. Rutter) | John Rutter, Traditional, The Cambridge Singers, Thelma Owen | B Major | 1 | 1B | 167 BPM |
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