"I Capuleti e i Montecchi / Act 2: Ella è morta, o sciagurato" by Vincenzo Bellini, Elina Garanca, Matthew Polenzani, Filarmonica del Teatro Comunale di Bologna, Roberto Abbado was released on January 1, 2009. The duration of I Capuleti e i Montecchi / Act 2: Ella è morta, o sciagurato is about 3 minutes long, at 3:29. Based on our data, "I Capuleti e i Montecchi / Act 2: Ella è morta, o sciagurato" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 21 out of 21 in Bel Canto by Elina Garanca, Filarmonica del Teatro Comunale di Bologna, Roberto Abbado. I Capuleti e i Montecchi / Act 2: Ella è morta, o sciagurato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of I Capuleti e i Montecchi / Act 2: Ella è morta, o sciagurato by Vincenzo Bellini, Elina Garanca, Matthew Polenzani, Filarmonica del Teatro Comunale di Bologna, Roberto Abbado is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ma rendi pur contento | Vincenzo Bellini, Cecilia Bartoli, Jean-Yves Thibaudet | A♭ Major | 1 | 4B | 108 BPM | ||
Norma / Act 1: Casta Diva | Vincenzo Bellini, Anna Netrebko, SWR Symphony Orchestra, Marco Armiliato | F Major | 1 | 7B | 85 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Va, crudele, al Dio spietato" | Vincenzo Bellini, John Osborn, Sumi Jo, Orchestra La Scintilla, Giovanni Antonini | A♭ Major | 3 | 4B | 134 BPM | ||
Puccini: La bohème, Act 1: "O soave fanciulla" (Rodolfo, Mimì) | Giacomo Puccini, James Conlon, Barbara Hendricks, José Carreras, Orchestre National De France | D♭ Minor | 2 | 12A | 168 BPM | ||
La Sonnambula (1997 Digital Remaster): Compagne, temiri amici ....Come per me sereno | Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | A♭ Major | 1 | 4B | 113 BPM | ||
Il Bacio | Luigi Arditi, Olga Peretyatko, Enrique Mazzola | D Major | 1 | 10B | 96 BPM | ||
Mazeppa, TH 7 / Act 3: "Spi, mladyenits moy prekrasniy" (Maria's Lullaby) | Pyotr Ilyich Tchaikovsky, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D♭ Major | 1 | 3B | 76 BPM | ||
Lucia di Lammermoor: Act I: Regnava nel silenzio (Lucia, Alisa) | Gaetano Donizetti, Maria Callas, Giuseppe Di Stefano, Tito Gobbi, Raffaele Arie, Valiano Natali, Anna Maria Canali, Gino Sarri, Fiorentino Maggio Musicale Chorus, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | F♯ Major | 1 | 2B | 86 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Chanson et scène: Va pour Kleinzach! (Légende de Kleinzach: Hoffmann/Choeurs/Nathanaël) | Jacques Offenbach, Nicolai Gedda, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Minor | 0 | 7A | 106 BPM | ||
La Sonnambula / Act 1: Vi ravviso, o luoghi ameni | Vincenzo Bellini, Nicolai Ghiaurov, Isobel Buchanan, Luciano Pavarotti, Della Jones, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 3 | 4B | 138 BPM |
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