"10 Chorale Preludes, BV B 27: No. 5, Ich ruf zu dir, Herr Jesu Christ, BWV 639" by Johann Sebastian Bach, Ferruccio Busoni, Igor Levit was released on September 11, 2020. The duration of 10 Chorale Preludes, BV B 27: No. 5, Ich ruf zu dir, Herr Jesu Christ, BWV 639 is about 3 minutes long, at 3:15. Based on our data, "10 Chorale Preludes, BV B 27: No. 5, Ich ruf zu dir, Herr Jesu Christ, BWV 639" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 22 in Encounter by Igor Levit. 10 Chorale Preludes, BV B 27: No. 5, Ich ruf zu dir, Herr Jesu Christ, BWV 639 is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 10 Chorale Preludes, BV B 27: No. 5, Ich ruf zu dir, Herr Jesu Christ, BWV 639 by Johann Sebastian Bach, Ferruccio Busoni, Igor Levit is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Consolations, S. 172: No. 3 in D-Flat Major. Lento placido | Franz Liszt, Jean-Yves Thibaudet | D♭ Major | 0 | 3B | 134 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Sonata in A Major, K. 343 | Domenico Scarlatti, Lucas Debargue | A Major | 1 | 11B | 66 BPM | ||
Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff) | Wilhelm Kempff, Christoph Willibald Gluck, Idil Biret | F Major | 0 | 7B | 81 BPM | ||
Peace Piece | Bill Evans, Igor Levit | C Major | 0 | 8B | 67 BPM | ||
Piano Sonata No. 1 in F Minor, Op. 2, No. 1: I. Allegro | Ludwig van Beethoven, Igor Levit | F Minor | 1 | 4A | 116 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Berceuse, Op. 2 | Dora Pejačević, Natasa Veljkovic | E Minor | 3 | 9A | 153 BPM | ||
Les Indes galantes: Musette (arr. I. Friedman for piano) | Ignaz Friedman, Jean-Philippe Rameau, Joseph Banowetz | G Major | 0 | 9B | 152 BPM | ||
Sure on This Shining Night, Op. 13 No. 3 (Arr. Parkin for Cello and Piano) | Samuel Barber, Sheku Kanneh-Mason, Isata Kanneh-Mason | B♭ Major | 0 | 6B | 113 BPM |
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