Francesco da Milano, Johannes Matelart, Konrad Ragossnig, Hanni Widmer's 'Matelart & Da Milano: Recercate concertante sulla Fantasia di M. Milanese la quarta (Arr. for Lute & Organ)' came out on January 1, 1971. The duration of Matelart & Da Milano: Recercate concertante sulla Fantasia di M. Milanese la quarta (Arr. for Lute & Organ) is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Matelart & Da Milano: Recercate concertante sulla Fantasia di M. Milanese la quarta (Arr. for Lute & Organ)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Konrad Ragossnig's "Lute, Guitar & Organ" album is number 8 out of 19. In terms of popularity, Matelart & Da Milano: Recercate concertante sulla Fantasia di M. Milanese la quarta (Arr. for Lute & Organ) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Matelart & Da Milano: Recercate concertante sulla Fantasia di M. Milanese la quarta (Arr. for Lute & Organ) by Francesco da Milano, Johannes Matelart, Konrad Ragossnig, Hanni Widmer to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lute Sonata No. 6: III. Sarabanda | Giovanni Zamboni, Luciano Còntini | A♭ Minor | 0 | 1A | 89 BPM | ||
Terpsichore (arr. H. Baumer): Courante | Michael Praetorius, Hermann Bäumer, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Major | 3 | 9B | 111 BPM | ||
Pavane | Pierre Attaingnant, Ronn McFarlane | G Minor | 1 | 6A | 96 BPM | ||
Pavana alla venetiana | Joan Ambrosio Dalza, Christopher Wilson | D Major | 1 | 10B | 147 BPM | ||
Jay pris amours | Francesco Spinacino, Shirley Rumsey, Christopher Wilson | B♭ Major | 1 | 6B | 137 BPM | ||
Passemeze | Adrian Le Roy, Ronn McFarlane | B♭ Major | 1 | 6B | 117 BPM | ||
Der ander Theil des Lautenbuchs: Der hupff auff | Hans Neusidler, Ronn McFarlane | A♭ Minor | 3 | 1A | 131 BPM | ||
Tandernaken: The Kynge Henry VIII | Henry VIII, Folger Consort | F Major | 1 | 7B | 139 BPM | ||
Piece in D Minor: IV. Sarabande | Robert de Visée, Toyohiko Satoh | D♭ Major | 0 | 3B | 102 BPM | ||
Saltarello | Pietro Paolo Borrono, Paul O'Dette | D Major | 1 | 10B | 183 BPM |
Section: 0.8778917789459229
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