Eddie Cantor, Al Jolson, Cliff Edwards, Billy Jones, Vernon Dalhart, Johnny Marvin, Gene Austin's 'California, Here I Come' came out on March 18, 1944. The duration of California, Here I Come is about 3 minutes long, at 3:06. Based on our data, "California, Here I Come" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 38 in the song's album "Presenting Eddie Cantor". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Germany. California, Here I Come is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With California, Here I Come by Eddie Cantor, Al Jolson, Cliff Edwards, Billy Jones, Vernon Dalhart, Johnny Marvin, Gene Austin having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
She's Got It | Parker Gibbs & Ted Weems Orchestra | E Major | 2 | 12B | 120 BPM | ||
Let's Have a Jubilee | Mills Blue Rhythm Band | F Minor | 5 | 4A | 132 BPM | ||
Ain't We Got Fun | Fanny Brice | G Major | 2 | 9B | 67 BPM | ||
St. Louis Blues | Original Dixieland Jazz Band | D♭ Major | 4 | 3B | 82 BPM | ||
There's Rhythm in Harlem | Mills Blue Rhythm Band | B♭ Major | 4 | 6B | 211 BPM | ||
Glad Rag Doll | The Golden Gate Orchestra | E♭ Major | 1 | 5B | 143 BPM | ||
The Dumber They Come, the Better I Like 'em | Eddie Cantor, George Olsen and His Music | F Major | 5 | 7B | 153 BPM | ||
April Showers | Al Jolson | G Major | 3 | 9B | 99 BPM | ||
Rumba Negro | Bennie Moten | C Minor | 5 | 5A | 146 BPM | ||
A Blues Serenade - 78rpm Version | Glenn Miller & His Orchestra; Vocal by Smith Ballew | A♭ Major | 1 | 4B | 82 BPM |
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