"Thomas: Act II: Oikein poikani, oikein! (Thomas, Master Styver, Manhard, Doberanus)" by Einojuhani Rautavaara, Jorma Hynninen, Peter Lindroos, Matti Piipponen, Sini Rautavaara, Marko Putkonen, Antti Suhonen, Anssi Hirvonen, Hannu Sokka, Jaakko Hietikko, Anitta Juhala-Jolkkonen, Joensuu Music School Choir, Savonlinna Festival Opera Choir, Joensuu City Orchestra, Pekka Haapasalo was released on January 1, 1988. Thomas: Act II: Oikein poikani, oikein! (Thomas, Master Styver, Manhard, Doberanus) is about six minutes long, preciously at 5:31, making this song fairly long compared to other songs. There are a total of 27 in the song's album "Rautavaara: Thomas". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Finland. Thomas: Act II: Oikein poikani, oikein! (Thomas, Master Styver, Manhard, Doberanus) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Thomas: Act II: Oikein poikani, oikein! (Thomas, Master Styver, Manhard, Doberanus) by Einojuhani Rautavaara, Jorma Hynninen, Peter Lindroos, Matti Piipponen, Sini Rautavaara, Marko Putkonen, Antti Suhonen, Anssi Hirvonen, Hannu Sokka, Jaakko Hietikko, Anitta Juhala-Jolkkonen, Joensuu Music School Choir, Savonlinna Festival Opera Choir, Joensuu City Orchestra, Pekka Haapasalo having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ligeti: 6 Bagatelles for Wind Quintet: I. Allegro con spirito | György Ligeti, Les Vents Français | C Major | 2 | 8B | 173 BPM | ||
Requiem, Op. 48: VII. In Paradisum | Gabriel Fauré, Robert Shaw, Atlanta Symphony Orchestra | D Major | 1 | 10B | 99 BPM | ||
Symphony No.1 in E Major, Op. 26: I. Lento | Alexander Scriabin, London Symphony Orchestra, Valery Gergiev | E♭ Major | 2 | 5B | 139 BPM | ||
Piano Concerto in G Major, M. 83: 3. Presto | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | G Major | 3 | 9B | 79 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Eugen Jochum | G Minor | 0 | 6A | 172 BPM | ||
Vigilia: Vespers: Psalm 103 | Einojuhani Rautavaara, Jyrki Korhonen, Topi Lehtipuu, Pia Freund, Lilli Paasikivi, Petteri Salomaa, Finnish Radio Chamber Choir, Timo Nuoranne | F Major | 1 | 7B | 107 BPM | ||
All-night Vigil, Op. 37, "Vespers": Resurrection hymn (Troparion): This day of salvation has com to the world | Sergei Rachmaninoff, Latvian Radio Choir, Sigvards Kļava | G Major | 1 | 9B | 87 BPM | ||
4 Gesange, Op. 17: Es tont ein voller Harfenklang | Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | C Major | 1 | 8B | 111 BPM | ||
Vigilia: Matins: Canon: Irmos No. 5 | Einojuhani Rautavaara, Jyrki Korhonen, Topi Lehtipuu, Pia Freund, Lilli Paasikivi, Petteri Salomaa, Finnish Radio Chamber Choir, Timo Nuoranne | C Minor | 4 | 5A | 74 BPM | ||
Phantasy Quintet: III. Alla Sarabanda | Ralph Vaughan Williams, Medici String Quartet, Simon Rowland-Jones | F Minor | 0 | 4A | 83 BPM |
Section: 0.7524051666259766
End: 0.7575933933258057