On January 1, 1998, the song "Wie Mocht Ich Frohlich Werden Chorus" was released by Andrei Krylov. With Wie Mocht Ich Frohlich Werden Chorus being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Andrei Krylov's "Lute & Guitar music of Renaissance Holland, Germany, England, France, Italy, Spain" album is number 48 out of 48. Based on our statistics, Wie Mocht Ich Frohlich Werden Chorus's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Wie Mocht Ich Frohlich Werden Chorus by Andrei Krylov to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Early 17th Century Dances from Terpsichore: Three Voltas | Michael Praetorius, Calliope - A Renaissance Band | G Major | 1 | 9B | 107 BPM | ||
Basse dance :La Roque: (Attaingnant) | Edward Martin | C Major | 1 | 8B | 79 BPM | ||
Mudarra : Glosa sobre un Kyrie postrero | Heringman | C Minor | 0 | 5A | 96 BPM | ||
Pièces in A Major: II. Gavotte | Laurent de Saint-Luc, Evangelina Mascardi | A♭ Major | 1 | 4B | 62 BPM | ||
La Princesse Sarabande | Charles Mouton, Toyohiko Satoh | D♭ Minor | 2 | 12A | 120 BPM | ||
Bloomsberry Market | The Broadside Band | G Major | 1 | 9B | 79 BPM | ||
Prelude, P. 98 | John Dowland, Nigel North | F Minor | 1 | 4A | 68 BPM | ||
Quia vidisti me, Thoma | Orlande de Lassus, Harmonia Recorder Ensemble | A Minor | 0 | 8A | 63 BPM | ||
Douce dame jolie | Guillaume de Machaut, Munir Beken, August Denhard | A Minor | 1 | 8A | 123 BPM | ||
Lute Sonata No. 6: III. Sarabanda | Giovanni Zamboni, Luciano Còntini | A♭ Minor | 0 | 1A | 89 BPM |
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