"Piazzolla: María de Buenos Aires, Part 1, Scene 8: Misere canyengue de los ladrones antiguos en las alcantarillas (Antiguo ladrón, María, Chorus)" by Gidon Kremer, Alois Posch, Jairo, Julia Zenko, Maria Fedotova, Marta Sudraba, Per Arne Glorvigen, Peter Sadlo, Ula Zebriunaite, Vadim Sakharov was released on February 16, 1998. Since Piazzolla: María de Buenos Aires, Part 1, Scene 8: Misere canyengue de los ladrones antiguos en las alcantarillas (Antiguo ladrón, María, Chorus) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 17 in the song's album "Piazzolla: Maria de Buenos Aires". In this album, this song's track order is #9. The popularity of Piazzolla: María de Buenos Aires, Part 1, Scene 8: Misere canyengue de los ladrones antiguos en las alcantarillas (Antiguo ladrón, María, Chorus) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piazzolla: María de Buenos Aires, Part 1, Scene 8: Misere canyengue de los ladrones antiguos en las alcantarillas (Antiguo ladrón, María, Chorus) by Gidon Kremer, Alois Posch, Jairo, Julia Zenko, Maria Fedotova, Marta Sudraba, Per Arne Glorvigen, Peter Sadlo, Ula Zebriunaite, Vadim Sakharov having a BPM of 171 with a half-time of 86 BPM and a double-time of 342 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Elégie | Jules Massenet, Mischa Maisky, Daria Hovora | G Minor | 0 | 6A | 70 BPM | ||
Piano Sonata in G Minor: II. Romanza: Andante quasi adagio | Wilhelm Stenhammar, Niklas Sivelov | B♭ Major | 0 | 6B | 74 BPM | ||
Concerto In G Minor R439 Op.10 No.2 "La Notte": 3. Il sonno. Largo - Allegro | Antonio Vivaldi, Andreas Blau, Berliner Philharmoniker, Herbert von Karajan | G Minor | 2 | 6A | 124 BPM | ||
Piazzolla: María de Buenos Aires, Part 2, Scene 15: Milonga de la anunciación (Sombra de María) | Gidon Kremer, Alois Posch, Julia Zenko, Maria Fedotova, Marta Sudraba, Per Arne Glorvigen, Peter Sadlo, Ula Zebriunaite, Vadim Sakharov | A Minor | 3 | 8A | 148 BPM | ||
Sonata In G Minor For Cello & Piano, Op. 19: 3. Andante | Sergei Rachmaninoff, Alisa Weilerstein, Inon Barnatan | F Major | 2 | 7B | 82 BPM | ||
Kol Nidrei, Op. 47 | Max Bruch, Jan Vogler, Helmut Branny | D Major | 1 | 10B | 136 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | ||
Spiegel im Spiegel (Arr. Violin & Harp) | Arvo Pärt, Gidon Kremer, Naoko Yoshino | F Major | 0 | 7B | 79 BPM | ||
Gnossiennes: No. 2 - Avec étonnement | Erik Satie, Pascal Rogé | D Minor | 0 | 7A | 67 BPM |
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