Jean-Baptiste Singelee, Bruno Canino, Sassofoni Accademia Quartet's 'Duo Concertant, Op. 55: II. Andante' had a release date set for January 1, 2000. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 18 in the song's album "Singelee: Solo De Concert Nos. 3-7 / Duo Concertant / Fantaisies". In this album, this song's track order is #3. In terms of popularity, Duo Concertant, Op. 55: II. Andante is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Duo Concertant, Op. 55: II. Andante by Jean-Baptiste Singelee, Bruno Canino, Sassofoni Accademia Quartet having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hommage à J Sebastian Bach | Béla Kovács, José María Belló García | B Minor | 1 | 10A | 120 BPM | ||
Improvisation on Mozart's "Linz" Symphony | Tarmo Peltokoski | C Major | 2 | 8B | 73 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation 16. Allegretto | Sergei Rachmaninoff, Boris Giltburg, Brussels Philharmonic, Vassily Sinaisky | F♯ Major | 0 | 2B | 105 BPM | ||
Rapsodia piemontese for Violin and Orchestra, Op. 26 | Leone Sinigaglia, Noah Bendix-Balgley, Berliner Philharmoniker, Kirill Petrenko | C Major | 1 | 8B | 97 BPM | ||
Dance Preludes *: No. 5. Allegro molto | Witold Lutosławski, Charles West, Susan Grace | B♭ Major | 2 | 6B | 131 BPM | ||
Lieder Ohne Worte, Viertes Heft, Op. 53 (Arr. for Violin and Piano by Ferdinand David): II. Allegro non troppo | Felix Mendelssohn, Michael Barenboim, Natalia Pegarkova-Barenboim | D Major | 1 | 10B | 143 BPM | ||
Ciudades: I. Córdoba | Guillermo Lago, Fukio Ensemble | A♭ Major | 3 | 4B | 90 BPM | ||
Solo de Concert No. 4, Op. 84 | Jean-Baptiste Singelee, Bruno Canino, Sassofoni Accademia Quartet | E♭ Major | 1 | 5B | 116 BPM | ||
Piano Concerto No. 2 in C Minor: III. Andante | Emil von Sauer, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas | A Minor | 1 | 8A | 91 BPM | ||
Divertimento No. 2 for 3 Basset Horns, K. 439b: I. Allegro | Wolfgang Amadeus Mozart, Bläserphilharmonie Mozarteum Salzburg, Hansjörg Angerer | D Major | 0 | 10B | 169 BPM |