Johann Baptist Strauss II, Westminster Concert Orchestra made "Vienna Bon Bons" available on January 1, 1990. The duration of Vienna Bon Bons is about 3 minutes long, at 3:16. Based on our data, "Vienna Bon Bons" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 20 in the song's album "The Best of Strauss". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Vienna Bon Bons's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Vienna Bon Bons by Johann Baptist Strauss II, Westminster Concert Orchestra having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Introduction and Tarantella, Op. 43 | Pablo de Sarasate, Joshua Bell, Nigel Hess | G Major | 1 | 9B | 106 BPM | ||
El Invierno: Concierto Nº4 En Fa Menor | Hamburg Symphony Orchestra | E♭ Major | 3 | 5B | 137 BPM | ||
Suite para Orquesta No. 3 en Re Mayor, BWV. 1068: Aria en la Cuerda de Sol | Cacho Tirao | D Major | 3 | 10B | 101 BPM | ||
Solfeggio in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Matthias Veit | F Minor | 1 | 4A | 77 BPM | ||
Maskerade-Suite: I. Waltz | Aram Khachaturian, Moscow Symphony Orchestra, Veronika Dudarova | C Major | 3 | 8B | 98 BPM | ||
The Sleeping Beauty, Ballet Suite, op. 66a: Panorama | New Philharmonia Orchestra London, Lawrence Siegel | G Major | 0 | 9B | 98 BPM | ||
Moments musicaux, Op.94 D.780: III. Allegretto moderato | Franz Schubert, Paul Lewis | F Minor | 1 | 4A | 91 BPM | ||
Samson et Dalila: Bacchanale | Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra, James DePreist | D Minor | 1 | 7A | 122 BPM | ||
Vivaldi: The Four Seasons, Spring 1st mov. Allegro | CHA Medical Center | E Major | 2 | 12B | 106 BPM | ||
Violin Sonata in G Minor, "Devil's Trill": I. Larghetto | Giuseppe Tartini, Ray Chen | B♭ Major | 0 | 6B | 90 BPM |
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