"Ma mère l'oye, ballet, M. 62: 3.Les Entretiens de la Belle et de la Bête.Mouvement de Valse modéré" by Maurice Ravel, London Symphony Orchestra, André Previn was released on January 1, 1999. With this song being about 5 minutes long, at 4:49, "Ma mère l'oye, ballet, M. 62: 3.Les Entretiens de la Belle et de la Bête.Mouvement de Valse modéré" by Maurice Ravel, London Symphony Orchestra, André Previn is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 32 in the song's album "Ravel: L'Enfant et les Sortilèges". In this album, this song's track order is #29. Furthermore, we believe that the track originated from Germany. Ma mère l'oye, ballet, M. 62: 3.Les Entretiens de la Belle et de la Bête.Mouvement de Valse modéré is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ma mère l'oye, ballet, M. 62: 3.Les Entretiens de la Belle et de la Bête.Mouvement de Valse modéré by Maurice Ravel, London Symphony Orchestra, André Previn having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM | ||
Winterreise, Op. 89, D. 911: No. 21, Tauschung (Arr. T. Zimmermann and H. Holl) | Franz Schubert, Peter Härtling, Tabea Zimmermann, Hartmut Höll | A Major | 0 | 11B | 119 BPM | ||
Dreaming, Op. 15 No. 3 | Amy Beach, Ambache | F Major | 0 | 7B | 75 BPM | ||
6 Impromptus, Op. 5: Impromptu No. 5 in B Minor | Jean Sibelius, Håvard Gimse | B Minor | 0 | 10A | 84 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
24 Preludes, Op. 37, BV 181: No. 15 in D-Flat Major | Ferruccio Busoni, Holger Groschopp | D♭ Major | 0 | 3B | 133 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": 2. Adagio un poco mosso | Ludwig van Beethoven, Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | B Major | 0 | 1B | 85 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM |
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