"Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Wunderbar! (Paul, Marietta)" by Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle was released on September 6, 2011. With this song being about 5 minutes long, at 4:54, "Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Wunderbar! (Paul, Marietta)" by Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Erich Wolfgang Korngold, Various Artists, Sebastian Weigle's "Korngold: Die tote Stadt" album is number 5 out of 24. Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Wunderbar! (Paul, Marietta) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Wunderbar! (Paul, Marietta) by Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Lobgesang": Ib. Allegretto un poco agitato | Felix Mendelssohn, NDR Radiophilharmonie, Andrew Manze | G Minor | 0 | 6A | 109 BPM | ||
Valse triste, Op. 44 | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | D♭ Major | 0 | 3B | 67 BPM | ||
Etwas ganz Persönliches (Arr. H. Fuhlbom & K. Simon for Voice & Piano Trio) | Erich Wolfgang Korngold, Britta Stallmeister, Phillip Roy, Peter Franck, Klaus Simon | D Major | 2 | 10B | 83 BPM | ||
Suite in A Major 'American Suite', Op. 98b, B. 190: Suite in A Major 'American Suite', Op. 98b, B. 190: I. Andante con moto | Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan | A Major | 0 | 11B | 157 BPM | ||
Violanta, Op. 8, Scene 4: Violanta! Ja, du wirst ihn töten (Live) | Erich Wolfgang Korngold, Annemarie Kremer, Michael Kupfer-Radecky, Orchestra Teatro Regio Torino, Pinchas Steinberg | D Minor | 2 | 7A | 80 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 2. Allegro moderato - Presto - Allegro moderato - Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | F Minor | 2 | 4A | 117 BPM | ||
Peer Gynt Suite No.2, Op.55: 2. Arabian Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 123 BPM | ||
Lohengrin, Act III: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | G Major | 2 | 9B | 94 BPM | ||
Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Daniel Barenboim, Jacqueline du Pré, Philadelphia Orchestra | B♭ Major | 0 | 6B | 96 BPM | ||
Piano Quintet in E Major, Op. 15: II. Adagio. Mit größter Ruhe, stets äußerst gebunden und ausdrucksvoll | Erich Wolfgang Korngold, Spectrum Concerts Berlin, Boris Brovtsyn, Clara Jumi Kang, Gareth Lubbe, Torleif Thedéen, Eldar Nebolsin | D Major | 1 | 10B | 80 BPM |
Section: 1.0680444240570068
End: 1.0734009742736816