"13 Gammalsvenska Wijsor: Du hiratans trost och lilia" by Sigurd von Koch, Olle Persson, Bengt-Åke Lundin was released on May 1, 2011. The duration of 13 Gammalsvenska Wijsor: Du hiratans trost och lilia is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. 13 Gammalsvenska Wijsor: Du hiratans trost och lilia's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 37 in the song's album "Svenska Romanser, Vol. 2". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Sweden. In terms of popularity, 13 Gammalsvenska Wijsor: Du hiratans trost och lilia is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 13 Gammalsvenska Wijsor: Du hiratans trost och lilia by Sigurd von Koch, Olle Persson, Bengt-Åke Lundin having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Charpentier: Te Deum, H. 146: V. Te per orbem terrarum | Marc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Ann Murray, John Aler, Kurt Moll | D Major | 0 | 10B | 87 BPM | ||
Messa di Gloria: II. Gloria | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | E♭ Major | 1 | 5B | 66 BPM | ||
Schumann: Liederkreis, Op. 39: No. 1, In der Fremde | Robert Schumann, Elisabeth Leonskaja, Brigitte Fassbaender | A Minor | 0 | 8A | 74 BPM | ||
Lachen und Weinen, D. 777 | Franz Schubert, Bernarda Fink, Gerold Huber | F Major | 1 | 7B | 102 BPM | ||
Winterreise, Op. 89, D. 911: No. 5, Der Lindenbaum | Franz Schubert, Peter Mattei, Lars David Nilsson | E Major | 1 | 12B | 69 BPM | ||
Tirsi non giova il pianto, Archivio di Montecassino, Fondo musicale, 2a - 3/1: I. andante | Giuseppe De Ferraris, Alessandro Minci, Tania Di Giorgio | B♭ Major | 1 | 6B | 78 BPM | ||
De Vilda Svanarna: De vilda svanarna ("Ack, ännu synes icke") (Bethge [Ly-Y-Han]) | Sigurd von Koch, Anne Sofie von Otter, Bengt Forsberg | B Minor | 2 | 10A | 103 BPM | ||
Vogue, vogue la galère | Camille Saint-Saëns, Anne Sofie von Otter, Bengt Forsberg, Björn Gäfvert | A♭ Major | 1 | 4B | 94 BPM | ||
Shir | Paolo Spoladore | E Major | 2 | 12B | 129 BPM | ||
“Miniatyrer”/”Miniatures”, VIII. “Första fjäriln”/”The First Butterfly” | Sigurd von Koch, Árpád Solti | B♭ Minor | 1 | 3A | 149 BPM |
Section: 0.6800329685211182
End: 0.6848974227905273