"Das Sühnopfer des neuen Bundes, Pt. 2: No. 21, Pilatus ging hinein in das Richthaus" by Carl Loewe, Georg Poplutz, Andreas Burkhart, L'Arpa Festante Baroque Orchestra, Thomas Gropper was released on March 8, 2019. The duration of Das Sühnopfer des neuen Bundes, Pt. 2: No. 21, Pilatus ging hinein in das Richthaus is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Das Sühnopfer des neuen Bundes, Pt. 2: No. 21, Pilatus ging hinein in das Richthaus's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Carl Loewe, Arcis-Vocalisten Munich, L'Arpa Festante Baroque Orchestra, Thomas Gropper's "Loewe: Das Sühnopfer des neuen Bundes" album is number 21 out of 46. On top of that, Germany appears to be the country where this track was created. Das Sühnopfer des neuen Bundes, Pt. 2: No. 21, Pilatus ging hinein in das Richthaus is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Das Sühnopfer des neuen Bundes, Pt. 2: No. 21, Pilatus ging hinein in das Richthaus by Carl Loewe, Georg Poplutz, Andreas Burkhart, L'Arpa Festante Baroque Orchestra, Thomas Gropper to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Konzert-Postludium, Op. 26 | August Wilhelm Bach, Carl Loewe, Felix Mendelssohn, Robert Dornheckter, Friedrich Wilhelm Franke, Rudolf Looks, Georg Riemenschneider, Matthias Pech | A Major | 2 | 11B | 78 BPM | ||
Balladen, Op. 1: III. Erlkönig | Carl Loewe, Konstantin Krimmel, Doriana Tchakarova | E Major | 1 | 12B | 84 BPM | ||
Sonata in E Minor, Kk. 98 (Arr. for Accordion by Philippe Thuriot) | Domenico Scarlatti, Philippe Thuriot | E Major | 1 | 12B | 140 BPM | ||
Missa Solemnis: XIII. Sanctus | Leopold Mozart, Bayerische Kammerphilharmonie, Alessandro De Marchi, Das Vokalprojekt | C Major | 2 | 8B | 132 BPM | ||
Matthäuspassion, BWV 244: Duet: So ist mein Jesus nun gefangen (Soprano, Alto, Chorus I and II) | Johann Sebastian Bach, Marianne Beate Kielland, Claudia Couwenbergh, Knaben des Kölner Domchores, Dresdner Kammerchor, Kolner Kammerorchester, Helmut Muller-Bruhl | B Minor | 2 | 10A | 103 BPM | ||
An die ferne Geliebte, Op. 98: No. 5, Es kehret der Maien, es blühet die Au | Ludwig van Beethoven, Mark Padmore, Mitsuko Uchida | C Major | 0 | 8B | 71 BPM | ||
Miserere, ZWV 57: V. Sicut erat et Miserere III | Jan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises Illán | F♯ Minor | 3 | 11A | 77 BPM | ||
L'amour Toujours X Running Up That Hill | Reductio | G Major | 2 | 9B | 69 BPM | ||
Symphony in D Minor, SchL deest: II. Scherzo. Vivace | Carl Loewe, Jenaer Philharmonie, Simon Gaudenz | D Minor | 2 | 7A | 74 BPM | ||
Mass No.2 in G, D.167: 1. Kyrie | Franz Schubert, Vienna Boys' Choir, Chorus Viennensis, Wiener Symphoniker, Uwe Christian Harrer | B♭ Major | 2 | 6B | 88 BPM |
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