Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, Cologne Radio Chorus, Cologne Radio Symphony Orchestra, Gary Bertini's 'Ariane et Barbe-bleue: Act I: Quelle clef ouvrira la premiere? (The Nurse)' came out on September 6, 2011. With Ariane et Barbe-bleue: Act I: Quelle clef ouvrira la premiere? (The Nurse) being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 30 in Dukas: Ariane et Barbe-bleue by Paul Dukas, Gary Bertini. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Ariane et Barbe-bleue: Act I: Quelle clef ouvrira la premiere? (The Nurse) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ariane et Barbe-bleue: Act I: Quelle clef ouvrira la premiere? (The Nurse) by Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, Cologne Radio Chorus, Cologne Radio Symphony Orchestra, Gary Bertini is Presto (very, very fast), since this song has a tempo of 177 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variation 6: modere | Paul Dukas, Chantal Stigliani | D Major | 2 | 10B | 135 BPM | ||
Variations, interlude et finale sur un thème de Rameau: IX. Var. VIII. Très Modéré | Paul Dukas, Vincenzo Maltempo | A Major | 0 | 11B | 70 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
Serenade for strings in E Minor, Op. 20 | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 1 | 9A | 81 BPM | ||
The Sorcerer's Apprentice Variation (From L'Apprenti Sorcier, Arr. for Piano by Svetoslav Karparov) | Paul Dukas, Gabriele Bagnati | B♭ Major | 2 | 6B | 123 BPM | ||
The Sorcerer's Apprentice | Philharmonia Orchestra | D♭ Major | 2 | 3B | 130 BPM | ||
The Firebird Suite *: Danse infernale du roi Kastchei / King Kastchei's Infernal Dance | Igor Stravinsky, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | A Major | 4 | 11B | 152 BPM | ||
Adagio from Piano Sonata No. 14 in C-Sharp Minor "Moonlight Sonata", Op. 27 No. 2 (Arr. Leopold Stokowski) | Ludwig van Beethoven, Matthias Bamert, BBC Philharmonic | D♭ Minor | 0 | 12A | 69 BPM | ||
March funèbre d'une marionette | Charles Gounod, Yan Pascal Tortelier, BBC Philharmonic | D Major | 0 | 10B | 110 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM |
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