Julia Fischer made "Kapitel 154.2 & Kapitel 155.1 - Der Geschmack unseres Lebens" available on September 2, 2019. The duration of Kapitel 154.2 & Kapitel 155.1 - Der Geschmack unseres Lebens is about 3 minutes long, at 3:12. Based on our data, "Kapitel 154.2 & Kapitel 155.1 - Der Geschmack unseres Lebens" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 124 out of 138 in Der Geschmack unseres Lebens by Julia Fischer. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Kapitel 154.2 & Kapitel 155.1 - Der Geschmack unseres Lebens is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Kapitel 154.2 & Kapitel 155.1 - Der Geschmack unseres Lebens by Julia Fischer is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto | Robert Schumann, Mikhail Pletnev | D♭ Minor | 1 | 12A | 69 BPM | ||
Romance "O pourquoi donc" in E Minor, S. 169 | Franz Liszt, Lang Lang | E Minor | 0 | 9A | 67 BPM | ||
Piano Concerto in A Minor, Op. 7: II. Romanze: Andante non troppo con grazia | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A♭ Major | 0 | 4B | 69 BPM | ||
Double Concerto for Violin and Cello in A Minor, Op. 102: II. Andante | Johannes Brahms, Julia Fischer, Daniel Müller-Schott, Yakov Kreizberg, Netherlands Philharmonic Orchestra | D Major | 0 | 10B | 90 BPM | ||
Pelléas et Mélisande Suite, Op. 80: III. Sicilienne. Allegretto molto moderato | Gabriel Fauré, Netherlands Philharmonic Orchestra, Yakov Kreizberg | G Minor | 0 | 6A | 104 BPM | ||
4 Pieces, Op. 51: 2. Prélude | Alexander Scriabin, Evgeny Kissin | F Major | 0 | 7B | 75 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
String Quartet No. 62 in C Major, Op. 76, No. 3, Hob.III:77, "Emperor": II. Poco adagio, cantabile | Joseph Haydn, Kodály Quartet | G Major | 0 | 9B | 106 BPM | ||
Lalo: Symphonie espagnole in D minor, Op. 21: I. Allegro non troppo | Édouard Lalo, Renaud Capuçon, Paavo Järvi, Orchestre de Paris | D Minor | 1 | 7A | 80 BPM |
Section: 0.6183922290802002
End: 0.6228666305541992