"Diálogos de la Isla y el Mar: ll. Manuscrito de la Isla y el Mar" by Leo Brouwer, Martín Marino, Benjamín Báez was released on March 18, 2024. Since Diálogos de la Isla y el Mar: ll. Manuscrito de la Isla y el Mar is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Nueva Música de Cámara". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Argentina. Diálogos de la Isla y el Mar: ll. Manuscrito de la Isla y el Mar is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Diálogos de la Isla y el Mar: ll. Manuscrito de la Isla y el Mar by Leo Brouwer, Martín Marino, Benjamín Báez having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasy for Guitar Op. 107: III. Arietta 1 | Malcolm Arnold, Sean Shibe | D Major | 0 | 10B | 109 BPM | ||
Sarabande | Robert de Visée, Toby Carr | C Major | 0 | 8B | 83 BPM | ||
13 Catalan Folksongs: El testament d'Amelia | Miguel Llobet Solés, Lorenzo Micheli | D Minor | 0 | 7A | 84 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
5 Pieces, Op. 75, "The Trees": No. 3 Aspen | Jean Sibelius, Håvard Gimse | A♭ Minor | 0 | 1A | 0 BPM | ||
Apariciones: Valses Romanticos: Sensitive | Enrique Granados, Douglas Riva | C Minor | 0 | 5A | 143 BPM | ||
Dido and Aeneas, Z. 626: When I Am Laid in Earth (Arr. Trovesi for Chamber Ensemble) | Henry Purcell, Gianluigi Trovesi, Stefano Montanari, Stefano Rossi, Claudio Andriani, Francesco Galligioni, Luca Bandini, Riccardo Balbinutti, Ivano Zanenghi | G Minor | 0 | 6A | 75 BPM | ||
Caledonian Market (Excerpts): No. 6, Musical Box | Irène Wieniawska, Jan Philip Schulze | D Major | 0 | 10B | 92 BPM | ||
6 Préludes: No. 2. Très calme | Jean Roger-Ducasse, Joel Hastings | B Major | 0 | 1B | 132 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM |
Section: 0.7311782836914062
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