"Requiem: Kyrie – Libera me – Lux aeterna" by Gregory Spears, Ruth Cunningham, Jacqueline Horner-Kwiatek, Ryland Angel, John Olund, Lawrence Lipnik, Kurt-Owen Richards, Elizabeth Weinfield, Jacqueline Kerrod, Christopher Williams, Daniel Thomas Davis was released on November 15, 2011. Since Requiem: Kyrie – Libera me – Lux aeterna is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Spears: Requiem". In this album, this song's track order is #6. Requiem: Kyrie – Libera me – Lux aeterna is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Requiem: Kyrie – Libera me – Lux aeterna by Gregory Spears, Ruth Cunningham, Jacqueline Horner-Kwiatek, Ryland Angel, John Olund, Lawrence Lipnik, Kurt-Owen Richards, Elizabeth Weinfield, Jacqueline Kerrod, Christopher Williams, Daniel Thomas Davis having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Pirates of Penzance: How Beautifully Blue the Sky | Patricia Cameron, Pauline Birchall | C Major | 1 | 8B | 59 BPM | ||
Vittoria, Mio Core! | Chai-lun Yueh | A Major | 5 | 11B | 124 BPM | ||
Te Deum, WAB 45: II. Te ergo quaesumus | Anton Bruckner, Bernard Haitink, Bavarian Radio Symphony Orchestra, Krassimira Stoyanova, Yvonne Naef, Christoph Strehl, Günther Groissböck, Bavarian Radio Chorus | F Major | 2 | 7B | 98 BPM | ||
Villanelle | Cécile Chaminade, Sivan Goldman, Shira Shaked | C Major | 2 | 8B | 53 BPM | ||
Le nozze di Figaro, K.492, Act IV: Aria. "Deh vieni non tardar" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | ||
Wood Music - Concerto pour quintette à vent et orchestre | Olivier Calmel, Scoring Orchestra, Aurélien Azan Zielinski, Mayu Sato-Brémaud, Annelise Clément, Baptiste Gibier, Cyril Normand, Frank Sibold | B Major | 0 | 1B | 67 BPM | ||
Elijah, Op. 70: "Baal, We Cry to Thee" (Chorus) | Felix Mendelssohn, Gabrieli, Paul McCreesh | F Major | 2 | 7B | 87 BPM | ||
Requiem aeternam | Gregory Spears, Ruth Cunningham, Jacqueline Horner-Kwiatek, Ryland Angel, John Olund, Lawrence Lipnik, Kurt-Owen Richards, Elizabeth Weinfield, Jacqueline Kerrod, Christopher Williams, Daniel Thomas Davis | G Minor | 2 | 6A | 168 BPM | ||
Forkladd gud, Op. 24: Kring hostlig vaktelds brander | Lars-Erik Larsson, Erik Saeden, Martin Lidstams Vokalensemble, Stockholm Radio Orchestra, Stig Westerberg | E♭ Major | 2 | 5B | 115 BPM | ||
Eve Maria | Gentle Woman | E Major | 1 | 12B | 88 BPM |
Section: 0.617570161819458
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