"Geistliche Chormusik, Op. 11: 14. Tröstet, tröstet mein Volk, SWV 382" by Heinrich Schütz, Frauke Hess, Hans-Christoph Rademann, Dresdner Kammerchor, Ludger Rémy was released on September 1, 2007. The duration of Geistliche Chormusik, Op. 11: 14. Tröstet, tröstet mein Volk, SWV 382 is about 3 minutes long, at 3:23. Based on our data, "Geistliche Chormusik, Op. 11: 14. Tröstet, tröstet mein Volk, SWV 382" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Heinrich Schütz, Cappella Sagittariana Dresden, Dresdner Kammerchor, Hans-Christoph Rademann's "Heinrich Schütz: Geistliche Chor-Music 1648 (Complete Recording Vol. 1)" album is number 14 out of 29. Based on our statistics, Geistliche Chormusik, Op. 11: 14. Tröstet, tröstet mein Volk, SWV 382's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Geistliche Chormusik, Op. 11: 14. Tröstet, tröstet mein Volk, SWV 382 by Heinrich Schütz, Frauke Hess, Hans-Christoph Rademann, Dresdner Kammerchor, Ludger Rémy to be Allegro (fast, quick, and bright) because the track has a tempo of 142 BPM, a half-time of 71BPM, and a double-time of 284 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Maria, quid ploras | Claudio Monteverdi, Le Poème Harmonique, Vincent Dumestre | D Minor | 1 | 7A | 80 BPM | ||
Heinrich Schütz Symphoniae Sacrae II (Part XIII - XXII): XIv Erster Teil: Verleih Uns Frieden Genädiglich | Matteo Messori, Michael Seberich, Anna Mikołajczyk-Niewiedział, Marzena Lubaszka, Heinrich Schütz, Cappella Augustana, Dolores Costoyas, Florian Weininger | B♭ Major | 2 | 6B | 173 BPM | ||
Miserere: XI. Tunc acceptabis sacrificium justitiae ; Tunc inponent - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | B Minor | 1 | 10A | 110 BPM | ||
Elevatio O miraculum! | Sébastien de Brossard, Sébastien Daucé, Ensemble Corrrespondances | C Major | 2 | 8B | 94 BPM | ||
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 49, Aria. "Aus Liebe will mein Heiland sterben" | Johann Sebastian Bach, Ton Koopman, Barbara Schlick, Amsterdam Baroque Orchestra | A Major | 2 | 11B | 112 BPM | ||
Missa Dolorosa: VI. Agnus Dei | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Missa ex B: XXII. Sanctus - Live at Melk Abbey, 5/30/2004 | Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl | F Major | 2 | 7B | 149 BPM | ||
Vespro della Beata Vergine, SV 206: VII. Concerto "Duo Seraphim" | Claudio Monteverdi, Philippe Herreweghe, Reinoud Van Mechelen, Samuel Boden, Benedict Hymas, Collegium Vocale Gent | F Major | 2 | 7B | 76 BPM | ||
Palestrina: Assumpta Est Maria in Caelum - 1. Assumpta Est Maria in Caelum | The Tallis Scholars, Peter Phillips | F♯ Minor | 2 | 11A | 78 BPM | ||
Missa ex B: XVIII. Cuius regni non erit finis - Live at Melk Abbey, 5/30/2004 | Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl | F Major | 2 | 7B | 149 BPM |
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