Joseph Haydn, Chamber Orchestra of Europe, Claudio Abbado's 'Symphony No. 93 in D Major, Hob. I:93: I. Adagio - Allegro assai' came out on January 1, 1990. Since Symphony No. 93 in D Major, Hob. I:93: I. Adagio - Allegro assai is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Joseph Haydn, Chamber Orchestra of Europe, Claudio Abbado's "Haydn: Symphonies Nos. 93 & 101 "The Clock"" album is number 1 out of 8. On top of that, Germany appears to be the country where this track was created. Symphony No. 93 in D Major, Hob. I:93: I. Adagio - Allegro assai is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Symphony No. 93 in D Major, Hob. I:93: I. Adagio - Allegro assai by Joseph Haydn, Chamber Orchestra of Europe, Claudio Abbado to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in D, D.200: I. Adagio maestoso - Allegro con brio | Franz Schubert, Wiener Philharmoniker, Carlos Kleiber | E Major | 1 | 12B | 78 BPM | ||
Violin Concerto in D Major, Op. 35, TH 59: II. Canzonetta. Andante - Live | Pyotr Ilyich Tchaikovsky, Anne-Sophie Mutter, Wiener Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 67 BPM | ||
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Symphony No. 94 in G Major, Hob. I:94 "Surprise": I. Adagio cantabile - Vivace assai | Franz Joseph Haydn, European Festival Orchestra, Johann Walter | E♭ Major | 2 | 5B | 138 BPM | ||
String Quartet No. 1 in G Major, K. 80: II. Allegro | Eder Quartet | G Major | 1 | 9B | 152 BPM | ||
Bach, JS: Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: III. Allegro | Johann Sebastian Bach, Monica Huggett, John Toll, Pavlo Beznosiuk, Richard Campbell, Richard Tunnicliffe, Sarah Cunningham, William Hunt, Orchestra of the Age of Enlightenment | A Major | 2 | 11B | 125 BPM | ||
Die Schöpfung, Hob. XXI:2 / Erster Teil: 2. Arie mit Chor: "Nun schwanden vor dem heiligen Strahle" | Franz Joseph Haydn, Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein | A Major | 2 | 11B | 87 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
String Quartet No. 2 in D Major, K. 155: I. Allegro | Eder Quartet | D Major | 1 | 10B | 128 BPM | ||
Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Alon Goldstein | C Major | 2 | 8B | 120 BPM |
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