"Pastoralsvit, Op. 19: II. Romance" by Lars-Erik Larsson, Stockholm Symphony Orchestra, Stig Westerberg was released on January 1, 2000. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Lars-Erik Larsson, Royal Stockholm Philharmonic Orchestra's "Larsson: Pastoralsvit - En vintersaga - m.fl." album is number 2 out of 15. On top of that, Sweden appears to be the country where this track was created. In terms of popularity, Pastoralsvit, Op. 19: II. Romance is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pastoralsvit, Op. 19: II. Romance by Lars-Erik Larsson, Stockholm Symphony Orchestra, Stig Westerberg to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 5/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La traviata / Act 1: Prelude | Giuseppe Verdi, Metropolitan Opera Orchestra, James Levine | D Minor | 0 | 7A | 137 BPM | ||
Tchaikovsky: Suite from Swan Lake, Op. 20a: I. Scene. Moderato | Pyotr Ilyich Tchaikovsky, Alexander Lazarev, The Bolshoi Symphony Orchestra | A♭ Minor | 3 | 1A | 79 BPM | ||
Aniara: Act I Scene 2: Med blarra jag i rymden far | Karl-Birger Blomdahl, Lena Hoel, Viveca Anderberg, Erik Saeden, Jerker Arvidson, Bjorn Haugan, Stefan Parkman, Mikael Samuelson, Thomas Sunnegardh, Radio Chorus, Swedish Radio Symphony Orchestra, Stig Westerberg | A Major | 2 | 11B | 107 BPM | ||
Recorder Concerto in C Major, RV 443: II. Largo | Antonio Vivaldi, Gunilla von Bahr, Paavo Pohjola, Zahari Mirchev, Zahari Tchavdarov, Ulla Vrethammar, Geza Farkas, Eva Nordenfelt | E Minor | 2 | 9A | 75 BPM | ||
La Fille aux cheveux de lin, L. 117, No. 8 | Claude Debussy, Isaac Stern, Frank Brieff, Columbia Symphony Orchestra | G Major | 1 | 9B | 63 BPM | ||
Widor : Toccata in F major | Charles-Marie Widor, Kalevi Kiviniemi | F Major | 3 | 7B | 62 BPM | ||
Ack Värmeland du sköna (Folksong from Värmland) | Royal Stockholm Philharmonic Orchestra | D Minor | 1 | 7A | 86 BPM | ||
Forkladd gud, Op. 24: Vem spelar pa en pipa en lat av gryningsluft… (Who plays upon a pipe a song of the morning air…) [Chorus] [the Disguised God] | Lars-Erik Larsson, Birgit Nordin, Håkan Hagegård, Per Jonsson, Helsingborg Concert Hall Choir, Helsingborg Symphony Orchestra, Sten Frykberg | G Minor | 10 | 6A | 142 BPM | ||
Aria from Orchestral Suite No. 3, BWV 1068 "Air on a G String" (Arr. Leopold Stokowski) | Johann Sebastian Bach, Matthias Bamert, BBC Philharmonic | D Minor | 1 | 7A | 69 BPM | ||
Canto General: Pt. 7, Vinen los Pájaros | Mikis Theodorakis, Maria Farantouri, Petros Pandis, St. Jacob's Chamber Choir, Stockholm Symphony Orchestra | D Major | 2 | 10B | 122 BPM |
Section: 1.0534906387329102
End: 1.059398889541626