Cipriani Potter, Howard Shelley, Tasmanian Symphony Orchestra's 'Piano Concerto No. 4 in E Major: II. Andante con moto' came out on July 28, 2017. Piano Concerto No. 4 in E Major: II. Andante con moto is about six minutes long, preciously at 5:46, making this song fairly long compared to other songs. There are a total of 14 in the song's album "Potter: Piano Concertos Nos. 2 & 4 (Hyperion Romantic Piano Concerto 72)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Piano Concerto No. 4 in E Major: II. Andante con moto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No. 4 in E Major: II. Andante con moto by Cipriani Potter, Howard Shelley, Tasmanian Symphony Orchestra having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
18 German Dances and Ecossaises, Op. 33, D. 783, German Dances: No. 12 in C Major - No. 14 in F Minor - No. 15 in A-Flat Major | Franz Schubert, Pierre-Laurent Aimard | B Major | 0 | 1B | 74 BPM | ||
Variations on a Theme of Chopin, Op. 22: Variation 21 | Sergei Rachmaninoff, Park Eun Shik | F♯ Major | 0 | 2B | 70 BPM | ||
3 Morceaux poétiques, Op. 42: I. Romance | Moritz Moszkowski, Seta Tanyel | F Major | 0 | 7B | 75 BPM | ||
Appassionata (Second Movement) | Junior dos Santos Silva | B Major | 0 | 1B | 96 BPM | ||
Evening Tense | Marco Risolino, Ludovico Leone | B♭ Major | 0 | 6B | 73 BPM | ||
Symphony No. 8 in E-Flat Major: II. Andante con moto sostenuto | Cipriani Potter, Milton Keynes Chamber Orchestra, Hilary Davan Wetton | E♭ Major | 1 | 5B | 104 BPM | ||
Variazioni di bravura on a Theme by Rossini: Var. 4. Tempo del tema | Cipriani Potter, Howard Shelley, Tasmanian Symphony Orchestra | E Major | 1 | 12B | 118 BPM | ||
6 Waltzes, Op. 28: No. 4, Non troppo allegro | Xaver Scharwenka, Seta Tanyel | C Major | 1 | 8B | 124 BPM | ||
Crimean Sketches, Series 1, Op. 9 (Arr. for Piano): No. 3. Chanson a boire | Aleksandr Spendiaryan, Mikael Ayrapetyan | A Major | 1 | 11B | 110 BPM | ||
20 Waltzes, Op. 127, D.146: No. 9 in C Major | Franz Schubert, Pierre-Laurent Aimard | D Major | 1 | 10B | 128 BPM |
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