Josef Strauss, Wiener Johann Strauss Orchester, Willi Boskovsky, Johann Strauss II made "Mein Lebenslauf ist Lieb und Leben (Live, Love and Laugh) - Walzer Op.263" available on 1998. Since Mein Lebenslauf ist Lieb und Leben (Live, Love and Laugh) - Walzer Op.263 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Valses célebres by Wiener Johann Strauss Orchester, Wiener Symphoniker, Willi Boskovsky. The song's track number on the album is #3 out of 9 tracks. In terms of popularity, Mein Lebenslauf ist Lieb und Leben (Live, Love and Laugh) - Walzer Op.263 is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Mein Lebenslauf ist Lieb und Leben (Live, Love and Laugh) - Walzer Op.263 by Josef Strauss, Wiener Johann Strauss Orchester, Willi Boskovsky, Johann Strauss II has a tempo of 96 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Mein Lebenslauf ist Lieb und Leben (Live, Love and Laugh) - Walzer Op.263 being at 96 BPM, the half-time would be 48 BPM with a double-time of 192 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM | ||
Coppelia Ballet Suite: Festival of the Clocks and Dance of the Hours | Léo Delibes, Slovak Radio Symphony Orchestra, Ondrej Lenard | E♭ Major | 0 | 5B | 181 BPM | ||
Aida / Act 2: Grand March | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E♭ Major | 0 | 5B | 110 BPM | ||
Ischler Walzer | Johann Strauss II, Christian Thielemann, Wiener Philharmoniker | A Major | 4 | 11B | 100 BPM | ||
Banditen-Galopp, Op. 378 | Johann Strauss II, Franz Welser-Möst, Wiener Philharmoniker | F Major | 3 | 7B | 93 BPM | ||
Im Fluge, Polka schnell, Op. 230 | Josef Strauss, Andris Nelsons, Wiener Philharmoniker | D Major | 5 | 10B | 92 BPM | ||
Serenade No. 13 in G Major, K. 525, "Eine kleine Nachtmusik": II. Romance. Andante | Wolfgang Amadeus Mozart, Leonard Bernstein, New York Philharmonic | D♭ Major | 7 | 3B | 96 BPM | ||
Dichter und Bauer: Overture | Franz von Suppé, Tonkünstler-Orchester, Ola Rudner | C Major | 0 | 8B | 76 BPM | ||
Jazz Suite No. 2: V. Little Polka | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | D Major | 3 | 10B | 79 BPM | ||
Schützen Quadrille | Johann Strauss II, Josef Strauss, Eduard Strauss, Zubin Mehta, Wiener Philharmoniker | B♭ Major | 4 | 6B | 106 BPM |
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