"Sept berceuses: No. 5, Selfiana, berceuse créole" by Reynaldo Hahn, Huseyin Sermet, Kun-Woo Paik was released on January 1, 1992. With Sept berceuses: No. 5, Selfiana, berceuse créole being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Reynaldo Hahn, Huseyin Sermet, Kun-Woo Paik's "Hahn: Intégrale de l'œuvre pour deux pianos, Vol. 1" album is number 9 out of 25. On top of that, France appears to be the country where this track was created. In terms of popularity, Sept berceuses: No. 5, Selfiana, berceuse créole is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sept berceuses: No. 5, Selfiana, berceuse créole by Reynaldo Hahn, Huseyin Sermet, Kun-Woo Paik to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
ショパン:ワルツ第13番 変ニ長調 作品70の3(遺作) | タチアナ・シェバノワ | E Minor | 0 | 9A | 108 BPM | ||
Impromptu, Thema med Variationer, Op. 18: IV. Variation 3 | Signe Lund, Rune Alver | F♯ Major | 0 | 2B | 71 BPM | ||
Impromptu, Thema med Variationer, Op. 18: VI. Variation 5 | Signe Lund, Rune Alver | A♭ Major | 1 | 4B | 130 BPM | ||
Ballade, Op. 24 (Variations on a Norwegian Melody): Var. 1. Poco meno andante, ma molto tranquillo | Edvard Grieg, Andrey Gugnin | F♯ Major | 0 | 2B | 65 BPM | ||
Ondulando, estudio, Op. 31, W082 | Heitor Villa-Lobos, Wilhem Latchoumia | B Minor | 3 | 10A | 62 BPM | ||
Preludes Op.23: Preludes, Op. 23: No.1 in F-Sharp Minor. Largo | Sergei Rachmaninoff, Kathryn Stott | D Major | 0 | 10B | 71 BPM | ||
8 Pieces, Op. 99: No. 5: Couplet | Jean Sibelius, Håvard Gimse | E Major | 1 | 12B | 83 BPM | ||
Intermezzo In E Flat Minor, Op. 118 No.6 | Johannes Brahms, Kun-Woo Paik | D♭ Minor | 0 | 12A | 58 BPM | ||
Berceuse, Op. 20 | Dora Pejačević, Natasa Veljkovic | B Minor | 0 | 10A | 68 BPM | ||
Cirandinhas: III. Vamos, maninha (Let's go, little sister) | Heitor Villa-Lobos, Débora Halász | G Major | 1 | 9B | 144 BPM |
Section: 0.8605248928070068
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