Too Marvelous For Words - Live At The Haig, Los Angeles / 1953
Lee Konitz, Gerry Mulligan Quartet
Konitz Meets Mulligan
3:44 January 1, 1957
BPM
96
Key
A♭ Major
Camelot
4B

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Too Marvelous For Words - Live At The Haig, Los Angeles / 1953 - Lee Konitz, Gerry Mulligan Quartet Information

Acousticness
76%
Danceability
64%
Energy
34%
Instrumentalness
0%
Liveness
48%
Loudness
81%
Speechiness
18%
Valence
70%
Popularity
Loudness
-11.327 dB

Summary

Lee Konitz, Gerry Mulligan Quartet made "Too Marvelous For Words - Live At The Haig, Los Angeles / 1953" available on January 1, 1957. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Art Farmer, Clifford Brown, Various Artists, Lee Konitz, Gerry Mulligan Quartet's "Konitz Meets Mulligan" album is number 1 out of 12. In terms of popularity, Too Marvelous For Words - Live At The Haig, Los Angeles / 1953 is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

Too Marvelous For Words - Live At The Haig, Los Angeles / 1953 BPM

We consider the tempo marking of Too Marvelous For Words - Live At The Haig, Los Angeles / 1953 by Lee Konitz, Gerry Mulligan Quartet to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Too Marvelous For Words - Live At The Haig, Los Angeles / 1953 Key

This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

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ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.5502490997314453

End: 0.5552599430084229