Gustav Holst, The Central Band Of The R.A.F., Wing Commander Eric Banks made "Holst: First Suite in E-Flat for Military Band" available on April 4, 2011. The duration of Holst: First Suite in E-Flat for Military Band is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Holst: First Suite in E-Flat for Military Band's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 21 in British Music for Concert Band by The Central Band Of The R.A.F., Wing Commander Eric Banks. Based on our statistics, Holst: First Suite in E-Flat for Military Band's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Holst: First Suite in E-Flat for Military Band by Gustav Holst, The Central Band Of The R.A.F., Wing Commander Eric Banks is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
8 Slavonic Dances, Op.46, B.83: No.7 in C Minor (Allegro assai) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | C Minor | 2 | 5A | 134 BPM | ||
Hungarian Dance No.4 In F Sharp Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F♯ Minor | 2 | 11A | 80 BPM | ||
The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One) | Igor Stravinsky, Teodor Currentzis, musicAeterna | D Minor | 5 | 7A | 136 BPM | ||
Pictures at an Exhibition (Orch. Ravel): Promenade I | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F Major | 0 | 7B | 88 BPM | ||
Wedding Day at Troldhaugen | Edvard Grieg, The New Symphony Orchestra Of London, Charles Mackerras | G Major | 1 | 9B | 136 BPM | ||
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | F♯ Major | 0 | 2B | 88 BPM | ||
The Planets, Op. 32: 6. Uranus, the Magician | Gustav Holst, Los Angeles Philharmonic, Zubin Mehta | G Major | 3 | 9B | 58 BPM | ||
The Rite of Spring, Part 1: II. The Augurs of Spring - Dances of the Young Girls | Igor Stravinsky, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | B♭ Major | 3 | 6B | 115 BPM | ||
Raymonda, Act III: Variation for male dancer | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | A♭ Major | 0 | 4B | 61 BPM | ||
Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Im Tempo nachgeben | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | B Major | 1 | 1B | 152 BPM |
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