Stomp (Stompin' with Bill)
Bill Jennings, Leo Parker, Willis Jackson, Bill Doggett, James Orville Johnson, Andrew Johnson, Jack Wilson, Albert Jennings, Joe Williams, Jimmy Glover, George DeHart, Alvin Johnson, Nita Lore
Architect of Soul Jazz Bill Jennings. The Complete Early Recordings 1951-1957
2:41 January 16, 2014
BPM
93
Key
B♭ Major
Camelot
6B

Embed

Share Link

Stomp (Stompin' with Bill) - Bill Jennings, Leo Parker, Willis Jackson, Bill Doggett, James Orville Johnson, Andrew Johnson, Jack Wilson, Albert Jennings, Joe Williams, Jimmy Glover, George DeHart, Alvin Johnson, Nita Lore Information

Acousticness
26%
Danceability
58%
Energy
40%
Instrumentalness
0%
Liveness
16%
Loudness
82%
Speechiness
7%
Valence
75%
Popularity
Loudness
-10.546 dB

Summary

Bill Jennings, Leo Parker, Willis Jackson, Bill Doggett, James Orville Johnson, Andrew Johnson, Jack Wilson, Albert Jennings, Joe Williams, Jimmy Glover, George DeHart, Alvin Johnson, Nita Lore made "Stomp (Stompin' with Bill)" available on January 16, 2014. The duration of Stomp (Stompin' with Bill) is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Stomp (Stompin' with Bill)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 27 out of 52 in Architect of Soul Jazz Bill Jennings. The Complete Early Recordings 1951-1957 by Bill Jennings. In terms of popularity, Stomp (Stompin' with Bill) is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Stomp (Stompin' with Bill) BPM

The tempo marking of Stomp (Stompin' with Bill) by Bill Jennings, Leo Parker, Willis Jackson, Bill Doggett, James Orville Johnson, Andrew Johnson, Jack Wilson, Albert Jennings, Joe Williams, Jimmy Glover, George DeHart, Alvin Johnson, Nita Lore is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Stomp (Stompin' with Bill) Key

B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Hags! by Bill Perkins, Al CohnHags!Bill Perkins, Al CohnA Minor38A82 BPM
Serenity by Pepper AdamsSerenityPepper AdamsF Minor24A104 BPM
The Summer Wind by Back to Jazz, Arnaud Defrenne, Bruno Katarzynski, Fred, Stephane, Herve, ChristopheThe Summer WindBack to Jazz, Arnaud Defrenne, Bruno Katarzynski, Fred, Stephane, Herve, ChristopheE♭ Major25B119 BPM
Hold It Right There (feat.Shuggie Otis) by Eddie Hold It Right There (feat.Shuggie Otis)Eddie "Cleanhead" Vinson, Johnny Otis, Shuggie OtisB♭ Major46B99 BPM
Só Tinha De Ser Com Você by DeodatoSó Tinha De Ser Com VocêDeodatoC Major28B137 BPM
Gioventu' di notte - Seq. 5 by Piero PiccioniGioventu' di notte - Seq. 5Piero PiccioniF Minor64A99 BPM
I Got It Bad and That Ain't No Good by Milt Jackson QuartetI Got It Bad and That Ain't No GoodMilt Jackson QuartetF Minor14A60 BPM
A Gentle Breeze by Johnny Hodges & His OrchestraA Gentle BreezeJohnny Hodges & His OrchestraD♭ Major03B89 BPM
Good Old Blues (Original Mix) by Al CohnGood Old Blues (Original Mix)Al CohnE♭ Major15B65 BPM
Big Boy by Bill JenningsBig BoyBill JenningsD♭ Major43B164 BPM
ISRC
QMBZ91437659
Label
L-M Records/RCA Records

Section: 0.5947461128234863

End: 0.5985112190246582