"Concerto For Tuba And Wind Orchestra: II. Aria" by The University of Illinois Symphonic Band was released on January 1, 2012. The duration of Concerto For Tuba And Wind Orchestra: II. Aria is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Concerto For Tuba And Wind Orchestra: II. Aria's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "University of Illinois Symphonic Recording #131". In this album, this song's track order is #12. Concerto For Tuba And Wind Orchestra: II. Aria is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto For Tuba And Wind Orchestra: II. Aria by The University of Illinois Symphonic Band having a BPM of 62 with a half-time of 31 BPM and a double-time of 124 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures at an Exhibition (arr. M. Hindsley for wind ensemble): Promenade | Modest Mussorgsky, Mark Hindsley, Simon Bolivar Youth Symphony Band, Thomas Clamor | A Minor | 2 | 8A | 113 BPM | ||
Armenian Dances: Part II: I. Hov Arek | Alfred Reed, Taiwan Wind Ensemble, John P. Boyd | A Minor | 1 | 8A | 128 BPM | ||
Candide: V. Make Our Garden Grow | Leonard Bernstein, University of South Carolina Wind Ensemble, Scott Weiss | C Minor | 1 | 5A | 137 BPM | ||
An Original Suite: I. March | Gordon Jacob, North Texas Wind Symphony, Eugene Migliaro Corporon | G Minor | 3 | 6A | 120 BPM | ||
English Folk Song Suite: I. March (Seventeen Come Sunday) | Ralph Vaughan Williams, North Texas Wind Symphony, Eugene Migliaro | F Minor | 3 | 4A | 120 BPM | ||
Suite of Old American Dances: Mvt. I | Robert Russell Bennett, The University of Illinois Symphonic Band, Dr. Harry Begian | F Major | 5 | 7B | 123 BPM | ||
Suite of Old American Dances: II. Schottische | Robert Russell Bennett, Cincinnati Wind Symphony, Eugene Migliaro Corporon | D Major | 0 | 10B | 123 BPM | ||
Carnival Overture, Op. 92 | Antonín Dvořák, Leonard Bernstein, New York Philharmonic | D Major | 3 | 10B | 145 BPM | ||
Danzon No. 2 (arr. for wind ensemble) | Anonymous , Arturo Márquez, North Texas Wind Symphony, Eugene Migliaro Corporon | D Minor | 2 | 7A | 74 BPM | ||
Southern Harmony: II. Wondrous Love | Donald Grantham, Ohio State University Wind Symphony, Russel C. Mikkelson | F Minor | 0 | 4A | 63 BPM |
Section: 1.1458845138549805
End: 1.1520659923553467