Zubaida Khanum made "Khail khail khil piya nazron ka khail re (From "Anokhi")" available on March 7, 2016. The duration of Khail khail khil piya nazron ka khail re (From "Anokhi") is about 3 minutes long, at 3:09. Based on our data, "Khail khail khil piya nazron ka khail re (From "Anokhi")" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 9 in the song's album "Pakistani Film Music: Akeli (1951), Anokhi (1956)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. In terms of popularity, Khail khail khil piya nazron ka khail re (From "Anokhi") is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Khail khail khil piya nazron ka khail re (From "Anokhi") by Zubaida Khanum having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dil Hi To Hai Aagaya | Alka Yagnik, Mohammed Aziz | A♭ Minor | 7 | 1A | 174 BPM | ||
Ae Dil Kisi Ki Yaad Mein (From "Ek Tera Sahara") | Naseem Begum | G Minor | 5 | 6A | 93 BPM | ||
Marenge Ya Mar Jayenge - Pukar / Soundtrack Version | Asha Bhosle, R. D. Burman | A♭ Minor | 9 | 1A | 150 BPM | ||
Sham-e-Firaq Ab Na | Begum Akhtar | B♭ Major | 4 | 6B | 113 BPM | ||
Dhokhe | Vinod Rathod | B Minor | 9 | 10A | 115 BPM | ||
Bechain Nazar Betab Jigar | Talat Mahmood | B Major | 4 | 1B | 98 BPM | ||
Hob Hau Dukh Ge Chhoudhi | Amit Kumar | B Minor | 10 | 10A | 140 BPM | ||
Batuk Bhairav Chalisa | Manoj Mishra | F♯ Major | 8 | 2B | 184 BPM | ||
Hamne Sanam Ko Khat Likha (Jhankar Beats) | Lata Mangeshkar, Hero & King Of Jhankar Studio | D Minor | 7 | 7A | 134 BPM | ||
Rook Rook Ricky | Uttam Singh, Jagdish Khanna, Lata Mangeshkar, Vishal Goswami | D♭ Minor | 6 | 12A | 78 BPM |
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