"Hymn-Tune Prelude on Song 13 by Orlando Gibbons" by Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra was released on January 1, 1999. The duration of Hymn-Tune Prelude on Song 13 by Orlando Gibbons is about 3 minutes long, at 3:21. Based on our data, "Hymn-Tune Prelude on Song 13 by Orlando Gibbons" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Vaughan Williams: Symphony No. 5 by Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra, Carys Lane, Ian Watson, Malcolm Hicks, Richard Hickox Singers. The song's track number on the album is #7 out of 10 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Hymn-Tune Prelude on Song 13 by Orlando Gibbons is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Hymn-Tune Prelude on Song 13 by Orlando Gibbons by Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra has a tempo of 73 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Hymn-Tune Prelude on Song 13 by Orlando Gibbons being at 73 BPM, the half-time would be 36 BPM with a double-time of 146 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder ohne Worte, Op. 19, No. 1 | Felix Mendelssohn, Murray Perahia | E Major | 0 | 12B | 138 BPM | ||
Elgar: Variations on an Original Theme, Op. 36, "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Minor | 1 | 6A | 178 BPM | ||
Sonatina No. 1, Op. 67: III. Allegro moderato | Jean Sibelius, Leif Ove Andsnes | F♯ Major | 1 | 2B | 94 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act I: No. 6, Pas d'action. Andantino, quasi moderato - Allegro | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | E Major | 1 | 12B | 62 BPM | ||
Nocturne-serenade, Op. 45 | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | B♭ Major | 0 | 6B | 108 BPM | ||
St. Paul's Suite, Op. 29, No. 2: III. Intermezzo | Gustav Holst, English Sinfonia, Howard Griffiths | E Minor | 1 | 9A | 132 BPM | ||
Fantasia (completed by K. Russman) | George Butterworth, BBC National Orchestra Of Wales, Kriss Russman | F Major | 1 | 7B | 82 BPM | ||
Holberg Suite, Op. 40: II. Sarabande (Version for Strings) | Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti | G Major | 0 | 9B | 107 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Fabrizio von Arx, Christian Benda | E♭ Major | 1 | 5B | 133 BPM | ||
Mother Goose: V. Petit Poucet | Maurice Ravel, Barry Wordsworth, London Symphony Orchestra | C Minor | 0 | 5A | 96 BPM |
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