- BPM
- 140
- Key
- G Major
- Camelot
- 9B
Viennese Waltz (Wienerwalzer) - Welte-Mignon 2261 - Richard Epstein, Peter Phillips Information
- Acousticness
- 99%
- Danceability
- 38%
- Energy
- 12%
- Instrumentalness
- 95%
- Liveness
- 10%
- Loudness
- 64%
- Speechiness
- 3%
- Valence
- 24%
- Popularity
- 0%
- Loudness
- -21.885 dB
Summary
Richard Epstein, Peter Phillips's 'Viennese Waltz (Wienerwalzer) - Welte-Mignon 2261' came out on January 30, 2024. The duration of Viennese Waltz (Wienerwalzer) - Welte-Mignon 2261 is about 3 minutes long, at 3:23. Based on our data, "Viennese Waltz (Wienerwalzer) - Welte-Mignon 2261" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 26 in the song's album "Rendezvous. Piano Revelations from the Golden Age". In this album, this song's track order is #23. Furthermore, we believe that the track originated from Germany. Based on our statistics, Viennese Waltz (Wienerwalzer) - Welte-Mignon 2261's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Viennese Waltz (Wienerwalzer) - Welte-Mignon 2261 BPM
With Viennese Waltz (Wienerwalzer) - Welte-Mignon 2261 by Richard Epstein, Peter Phillips having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
Viennese Waltz (Wienerwalzer) - Welte-Mignon 2261 Key
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Piano Pieces, Op. 119: No. 3, Intermezzo - Duo-Art 6911 | Johannes Brahms, Myra Hess, Peter Phillips | C Major | 1 | 8B | 91 BPM | |
 | Vergessene Weisen. Op. 40: No. 4, Danza Jubilosa - Duo-Art 68729 | Nikolai Medtner, Peter Phillips | E Major | 1 | 12B | 85 BPM | |
 | 3 Marches militaires, Op. 51, D. 733: No. 1 in D Major (Excerpt) | Franz Schubert, Jenő Jandó, Zsuzsa Kollár | D Major | 2 | 10B | 111 BPM | |
 | Prelude, Op. 3 No. 2, in C# Minor | Sergei Rachmaninoff, Manuel del Corral | F Major | 0 | 7B | 111 BPM | |
 | 24 Preludes & Fugues, Op. 87: No. 10a, Prelude in C-Sharp Minor | Dmitri Shostakovich, Tatiana Nikolayeva | D♭ Minor | 1 | 12A | 110 BPM | |
 | Preludes, Op. 23: No. 5 in G Minor - Triphonola 51661 | Sergei Rachmaninoff, Peter Phillips, Ossip Gabrilowitsch | F Major | 1 | 7B | 108 BPM | |
| Humoresques De Concert. Op. 14: No. 6, Cracovienne Fantastique - Duo-Art | Ignacy Jan Paderewski, Peter Phillips | E Major | 1 | 12B | 85 BPM | |
 | Etudes, Op. 10: No. 3 in E Major, 'Tristesse' - Duo-Art 6524 | Frédéric Chopin, Peter Phillips, Alfred Cortot | E Major | 0 | 12B | 71 BPM | |
 | 24 Preludes: No. 16 in B-Flat Minor | Eduard Bagdasarian, Mikael Ayrapetyan | G Major | 1 | 9B | 66 BPM | |
 | Lyric Pieces, Book III, Op. 43: No. 5, Erotikon | Edvard Grieg, Andrey Gugnin | F♯ Major | 0 | 2B | 65 BPM |
- ISRC
- DEPI82401807
- Label
- L-M Records/RCA Records
Section: 0.6531703472137451
End: 0.6574695110321045